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- UK release date:
- Dec 01, 1972
- US release date:
- Dec 04, 1972
- Publisher:
- Apple Records
Related sessions
This album has been recorded during the following studio sessions
Sep 02, 1972
Sep 18 - Sep 20, 1972
Nov 06, 1972
Nov 07, 1972
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Track list
Side 1
1.
Written by Paul McCartney, Linda McCartney
3:08 • Studio version • A
- Paul McCartney :
- Backing vocals, Bass, Electric guitar, Producer, Vocals
- Linda McCartney :
- Backing vocals, Organ
- Denny Laine :
- Backing vocals, Electric guitar
- Henry McCullough :
- Electric guitar
- Denny Seiwell :
- Cow-bell, Drums
- Mark Vigars :
- Assistant mixing engineer, Assistant recording engineer
- Alan Parsons :
- Mixing engineer
- John Leckie :
- Recording engineer
- Session Recording:
- Sep 20, 1972
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Nov 06, 1972
- Studio :
- EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Recording Sessions (1969-2013) on Amazon
Side 2
1.
Written by Paul McCartney, Linda McCartney
4:34 • Studio version • A
- Paul McCartney :
- Cornet, Piano, Producer, Vocals
- Linda McCartney :
- Backing vocals, Tambourine
- Denny Laine :
- Backing vocals, Bass
- Henry McCullough :
- Drums
- Denny Seiwell :
- Cornet, Xylophone
- Mark Vigars :
- Assistant mixing engineer
- Heather McCartney :
- Backing vocals
- Mary McCartney :
- Backing vocals
- Alan Parsons :
- Mixing engineer
- Mike Bobak :
- Recording engineer
- Session Recording:
- Sep 02, 1972
- Studio :
- Morgan Studios, London
- Session Mixing:
- Nov 07, 1972
- Studio :
- EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Recording Sessions (1969-2013) on Amazon
About
Wings beating on both sides
“Hi, Hi, Hi / C Moon” (Apple R 5973). A double “A” side from the boys and girl and certainly a contender for chart honours. Now that is REAL record reviewing for you. “Hi, Hi, Hi” is a rocker and it’s the side that I prefer. It opens with some merry slide guitar noises and then shifts into a crisp stomper. The lyrics concern a lady being met at a station and the implication is that a certain amount of rudeness is about to take place. What is the world
coming to, eh?Paul sings with a load of echo and without sounding much like Paul – not his rocker voice anyway. There’s a brief, dreamy sort of magical mystery sequence. Towards the end the tempo increases as everyone works to bring it on home over swelling sounds (now then, children). Very good stuff—and produced by our Paul.
The “B” side is a curious work and may take more listens than I have been able to give it. It opens with piano, tambourine, strange mutterings from Paul, a giggle from Linda and then “was that the intro? I should have been in.” The feel is sort of Hawaiian but God alone knows why I think that. “C moon is she, C to me,” sings Paul and his deft production includes xylophone, brass and many other elements. A fine single anyway – good value for money and all that sort of thing.
From Disc Magazine, December 2, 1972
Last updated on June 24, 2022
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