Holly Days

Track list

Disc 1

1. Heartbeat

   Written by Norman Petty, Bob Montgomery

   2:35 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

2. Moondreams

   Written by Norman Petty

   2:42 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

3. Rave On!

   Written by Norman Petty, Sonny West, Bill Tilghman

   1:55 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Background vocals, Keyboards (?) Denny Laine : Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

4. I'm Gonna Love You Too

   Written by Norman Petty, Joe B. Mauldin, Niki Sullivan

   2:18 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

5. Fool's Paradise

   Written by Norman Petty, Sonny LeGlaire, Horace Linsley

   2:46 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Background vocals, Keyboards (?) Denny Laine : Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

6. Lonesome Tears

   Written by Buddy Holly

   3:02 • Studio version • A

   Paul McCartney : Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?) Linda McCartney : Keyboards (?) Denny Laine : Guitar (?)

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

7. Medley

1. It's So Easy

   Written by Buddy Holly, Norman Petty

   3:47 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?), Vocals Linda McCartney : Background vocals, Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

2. Listen To Me

   Written by Norman Petty, Charles Hardin

   0:00 • Studio version • A

   Paul McCartney : Background vocals, Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?) Linda McCartney : Background vocals, Keyboards (?) Denny Laine : Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

8. Look At Me

   Written by Buddy Holly, Jerry Allison, Norman Petty

   3:11 • Studio version • A

   Paul McCartney : Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?) Linda McCartney : Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

9. Take Your Time

   Written by Buddy Holly, Norman Petty

   3:39 • Studio version • A

   Paul McCartney : Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?) Linda McCartney : Keyboards (?) Denny Laine : Background vocals, Guitar (?), Vocals

   Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

10. I'm Looking For Someone To Love

    Written by Buddy Holly, Norman Petty

    3:59 • Studio version • A

    Paul McCartney : Bass (?), Drum machine (?), Drums (?), Guitar (?), Keyboard (?), Organ (?), Piano (?), Producer, Synthesizer (?) Linda McCartney : Keyboards (?) Denny Laine : Guitar (?)

    Session Recording: Summer 1976 • Studio Rude Studio, Campbeltown, Scotland

From the liner notes:

In The highlands of Scotland there’s a wood-lined, tin-roofed shack known as Rude Studio. Here Denny Laine and Paul McCartney got together to record some Buddy Holly songs …

On the four-track recorder Paul laid down the basic tracks, overdubbing each instrumental himself.

Denny and Linda added a few licks and all three joined in on the vocals… Denny singing lead and Paul and Linda harmonising.

Keeping it simple they tried to recapture the spirit of the original recordings by recalling, in moments of madness, their own sweet Holly Days.

From Dave Thompson, AllMusic.com:

Of the myriad side projects and offshoots which occupied Paul McCartney and Wings during the early to mid-’70s, it is regrettable that this is the only one which came to full fruition — regrettable because it’s also the only one in which Fab Macca had any kind of vested financial interest, thus opening the door for decades’ worth of subsequent critics to write it of as just another means of adding more cash to the coffers. Of course, there’s no denying that McCartney’s acquisition of the Buddy Holly songbook was a prime reason for this collection of, indeed, Buddy Holly covers. But to dwell on that is to overlook the fact that, alongside Wildlife, Red Rose Speedway, and two or three later Wings 45s, Holly Days sounds more like McCartney’s original blueprint for Wings than anything else the group accomplished. Laine, Paul, and Linda alone feature on the album, recording in the same Rude studios (the appropriately named Rude Studio where McCartney banged out his demos), and not sounding much more advanced. A note on the sleeve even warns, “this album consists of monophonic recordings, electronically reprocessed to give a stereo effect,” and anyone familiar with any of the Beatles’ own early-’60s recordings will know exactly what that sounds like. Holly Days is crude, ramshackle, and impossibly primitive, then, but its naïveté is its strength, its amateurism is its armor. It’s the sound of three musicians having fun with songs that they love, eschewing effects, ignoring mistakes, and cherishing the lo-fi brashness of it all. Laine’s lead vocals are excellent, the McCartneys’ harmonies are spot-on, and the musicianship — mainly Paul — is supremely slapdash. The result, for anybody wishing to seriously anthologize McCartney’s solo output, is an album as honest as any he’s been involved in, and a lot more fun than most of them. Holly Days — happy days!

Was it difficult to persuade Paul to produce your “Holly Days” (1977) solo album?

No, there was no difficulty. Originally, I was gonna do it with session musicians in Nashville but the producer, Ray Stevens, wasn’t available at the time –he was busy- so Paul started to make the backing tracks in Scotland. When I went up there, we finished up the album. That is because I didn’t have the time to do it with other people. It turned out pretty good, because it was more fun to do that with a friend.

Denny Laine – From Interview: Denny Laine (solo, Wings, Moody Blues) (hit-channel.com), July 2017

Denny’s album, Holly Days, has a projected February/March release date, with the single, Moon Dreams/Look at Me set for the week before.

Recorded at Rude Studios in Scotland, it consists of 10 tracks of well-known Buddy Holly songs mixed with some less familiar ones. Produced and arranged by Paul, who also does the backing tracks, it has a fresh, home-like simplicity reminiscent of the McCartney album, creating effects with the minimum of equipment.

The arrangements are a fusion of Holly and McCartney. There will be a contest voucher in each album featuring a prize of a fortnight’s holiday for two. A single was previously released to coincide with Buddy Holly Week — It’s So Easy/Listen to Me — which is also included in the album.

From Club Sandwich #1, February / March 1977