- Album This interview has been made to promote the New Official album.
Timeline
More from year 2013
Songs mentioned in this interview
Officially appears on The Beatles (Mono)
Officially appears on Abbey Road
Why Don't We Do It In The Road?
Officially appears on The Beatles (Mono)
Interviews from the same media
Paul McCartney Preps Standards Disc
May 16, 2011 • From RollingStone
March 2012 • From RollingStone
Q&A: Paul McCartney Looks Back on His Latest Magical Mystery Tour
Jul 25, 2013 • From RollingStone
Paul - Scenes From a Nonstop Life
Nov 07, 2013 • From RollingStone
Paul McCartney: The Long and Winding Q&A
Jul 17, 2014 • From RollingStone
Being Ringo: A Beatle’s All-Starr Life
Apr 15, 2015 • From RollingStone
Paul McCartney on Ringo’s Rock Hall Induction, Working with Kanye West
Apr 20, 2015 • From RollingStone
Paul McCartney Talks Summer Tour, New ‘Pure McCartney’ Comp
Jun 07, 2016 • From RollingStone
Paul McCartney Looks Back: The Rolling Stone Interview
Aug 10, 2016 • From RollingStone
Paul McCartney Talks VIP Soundcheck Shows: 'It's a Tribal Ritual'
Aug 15, 2016 • From RollingStone
Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.
Interview
The interview below has been reproduced from this page . This interview remains the property of the respective copyright owner, and no implication of ownership by us is intended or should be inferred. Any copyright owner who wants something removed should contact us and we will do so immediately.
“I’m always loath to say, ‘It’s a fucking great album, man!’” says Paul McCartney with a laugh. “I try to be modest. But I think you’re going to like this one.” The star has been laboring for more than a year on his 16th solo studio LP, with help from a dream team of top producers, including Mark Ronson, Adele hitmaker Paul Epworth and Ethan Johns (who has worked with Kings of Leon and Laura Marling). Says McCartney, “It’s been a really cool adventure.“
He began by getting together with Epworth for some freewheeling sessions. “We just went mad,” says McCartney, “throwing ideas at each other.“
Next, he joined Johns in London. On their first day together, he recorded a ballad called “Hosannah” to tape using vintage instruments. Recalls Johns, “He walked in with this incredible song, we threw up a couple of microphones, and within four hours we had this great track.“
Looking for dance music, McCartney called Ronson, who DJ’d the singer’s 2011 wedding to Nancy Shevell. “With Paul, you learn to not ask too many questions,” says Ronson. “He came in one day playing some baile funk/moombahton thing, asking, ‘How do we get this energy?’ Then he played me ‘Climax,’ by Usher.“
McCartney cut more tracks with all three producers, plus Giles Martin (son of Beatles producer George Martin) – working everywhere from New York to London’s Abbey Road to his home studio in Sussex. After a while, he started to wonder how the eclectic results would fit together. “I thought, ‘Uh-oh, it’s not a rock album, and it’s not an acoustic album,’” McCartney says. “And then I thought back to the Beatles albums: There would be something like ‘Why Don’t We Do It in the Road?’ right next to ‘Blackbird,’ or ‘Something’ right next to ‘I Want You (She’s So Heavy).’ I mean, we really ran the changes! This has turned out a little bit like that. The continuing thing throughout that pulls it all together, I think, is the fact that it’s me.“
Contribute!
Have you spotted an error on the page? Do you want to suggest new content? Or do you simply want to leave a comment ? Please use the form below!