- Album Songs recorded during this session officially appear on the The Beatles (Mono) LP.
- EMI Studios, Studio Two, Abbey Road
More from year 1968
Some songs from this session appear on:
Early June, during the first days of the recording sessions for the new album, The Beatles had recorded the first song written by Ringo Starr, “Don’t Pass Me By“. On this day, they returned to it. A violin overdub, played in a country music style, was added to “Don’t Pass Me By” by jazz bassist Jack Fallon.
Jack Fallon was known from the Beatles, as, besides being a jazz player, he was also a booker/promoter, who had booked The Beatles into their first professional gig on March 31, 1962, at the Subscription Rooms.
George Martin had jotted down a 12-bar blues for me. A lot of country fiddle playing is double-stop but Paul and George Martin – they were doing the arranging – suggested I play it single note. So it wasn’t really the country sound they originally wanted. But they seemed pleased. Ringo was around too, keeping an eye on his song.Jack Fallon – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, quoted in beatlesebooks.com
We played it with a country attitude. It was great to get my first song down, one that I had written. It was a very exciting time for me and everyone was really helpful, and recording that crazy violist was a thrilling moment.Ringo Starr – From The Beatles Anthology Book, 1995
On the mono version of “Don’t Pass Me By“, there is some extraneous fiddle that then fades away with the song. As Jack Fallon remembers:
I thought that they had had enough so I just busked around a bit. When I heard it played back at the end of the session I was hoping they’d scrub that bit out, but they didn’t, so there I am on record, scaping away! I was very surprised they kept it in; it was pretty dreadful.Jack Fallon – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, quoted in beatlesebooks.com
This violin overdub was recorded between 3 pm and 6:40 pm. Paul McCartney then added another bass part and Ringo a piano part. Four mono mixes were made, but wouldn’t be used.
The last overdub would be added during the July 22 session.
From 12 pm to 4 am, they worked on “Revolution” and added the final overdubs. Paul recorded another bass part, and John Lennon added a lead guitar part. Four mono mixes were made, but further mixes would be created on July 15.
Last updated on September 7, 2021
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.