Wednesday, June 5, 1968
For The Beatles
Last updated on October 13, 2024
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Three, Abbey Road
Film June 1968 • Shooting of "Apple promotional film" promo film
Session Jun 04, 1968 • Recording "Revolution 1"
Session Jun 05, 1968 • Recording "Don't Pass Me By"
Session Jun 06, 1968 • Recording "Don't Pass Me By"
Article Jun 08, 1968 • Paul McCartney attends his brother Mike's wedding as best man
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
After dedicating three days to “Revolution 1,” The Beatles began recording the second track of their new album, which was also the first song written by Ringo Starr, “Don’t Pass Me By.”
“Don’t Pass Me By” had a lengthy development. Its first known mention was during a BBC radio session for the show Top Gear in 1964, during a chatter to introduce “And I Love Her.” In the conversation, Ringo was questioned about composing a song, and Paul teasingly sang the opening line of the chorus, “Don’t pass me by, don’t make me cry, don’t make me blue, baby.” However, it wasn’t until this day that the song was recorded, initially labeled as “Ringo’s Tune (Untitled)” on June 5, and then as “This Is Some Friendly” on June 6, before getting its final title.
On this day, three versions of the backing track were recorded, featuring Ringo on the drums and Paul on the piano. At the end of the third take, Paul declared, “I think that’s got it!” while Ringo called out to George Martin in the control room, “I think we’ve got something there, George!“
Overdubs were subsequently added onto Take 3. Paul contributed an extra piano part, Ringo a further drum part, and an unidentified Beatle added cowbell and sleigh bells.
Following this, two tape reductions were made, labeled Take 4 and Take 5. Ringo recorded some lead vocals using frequency control, but those were later erased and substituted with a bass line played by Paul. The session concluded with a new tape reduction, Take 6.
Take 6 was ultimately abandoned, and the team resumed work on “Don’t Pass Me By” the next day, adding further overdubs to take 5.
The ‘White Album’ sessions were full of surprises for me. Usually, a Beatles album project would begin with the recording of one of John’s songs, and this was no exception. But the second song was always one of Paul’s – after all, they were the main songwriters in the band. Ringo would be allocated one song per album, and it was usually done almost as an afterthought, near the end…But this time around, they decided to do Ringo’s song right away…and, even more surprisingly, it was actually a song he’d written.
No explanation was given, and George Martin and I were flabbergasted. The only thing we could come up with was that, behind the scenes, the others must have known that Ringo was getting a bit fed up, and they were trying to keep him happy. That seemed like the only possible reason why time and energy was being expended on a Ringo song so early on… After all, the ‘Pepper’ sessions had begun with ‘Strawberry Fields Forever’ and ‘Penny Lane’ – a stark contrast… Obviously, tensions and intrigue were already in play, right at the beginning of these sessions.
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Written by Ringo Starr
Recording • Take 1
Written by Ringo Starr
Recording • Take 2
Written by Ringo Starr
Recording • Take 3
AlbumOfficially released on Anthology 3
Written by Ringo Starr
Tape copying • Tape reduction take 3 into take 4
Written by Ringo Starr
Tape copying • Tape reduction take 3 into take 5
Written by Ringo Starr
Recording • SI onto take 5
Written by Ringo Starr
Tape copying • Tape reduction take 5 into take 6
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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