Friday, August 16, 1968
Recording "While My Guitar Gently Weeps"
For The Beatles
Last updated on September 5, 2021
Friday, August 16, 1968
For The Beatles
Last updated on September 5, 2021
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Aug 14, 1968 • Recording and mixing "Yer Blues", recording and mixing "What's The New Mary Jane"
Session Aug 15, 1968 • Recording and mixing "Rocky Raccoon"
Session Aug 16, 1968 • Recording "While My Guitar Gently Weeps"
Interview Aug 17, 1968 • Paul McCartney interview for New Musical Express (NME)
Session Aug 20, 1968 • Recording "Yer Blues", recording and mixing "Mother Nature's Son", "Wild Honey Pie"
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
George Harrison and Paul McCartney had tried recording George Harrison’s “While My Guitar Gently Weeps” on July 25, 1968, in an acoustic version close to the demo played at Kinfauns, in late May.
On this day, from 7 pm to 5 am, The Beatles returned to it as a band. Fourteen instrumental-only takes were recorded with George Harrison on acoustic guitar, Paul McCartney on bass, John Lennon on organ, and Ringo Starr on drums. At some point, George declared:
I like the way it suddenly changes into a song
George Harrison
Take 14 was considered to be the best. A reduction mix (named take 15) was done to open up more tracks for overdubs. In the process, the tape was slowed down to lengthen the song from 3:53 to 4:53.
Shortly after leaving the studio, George Harrison flew to Greece for a short holiday, returning to London on August 21. The Monday, August 19 session was cancelled. August 20 and August 21 went without him, and overdubs onto take 15 would be only worked on, on September 3.
One intriguing detail is that one of the tape boxes of this session was marked “The Beatles; Produced by The Beatles“.
The ‘White Album’ was a time when George Martin was starting to relinquish control over the group. There were a number of occasions – holidays, and when he had other recording commitments – when he wasn’t available for sessions and they would just get on and produce it themselves. He certainly wasn’t around for quite a considerable period of time, although they’d always fall back on him for scoring and arranging things.
Brian Gibson, technical engineer – From “The Complete Beatles Recording Sessions” by Mark Lewisohn
Written by George Harrison
Recording • Remake - Take 1
Written by George Harrison
Recording • Remake - Take 2
Written by George Harrison
Recording • Remake - Take 3
Written by George Harrison
Recording • Remake - Take 4
Written by George Harrison
Recording • Remake - Take 5
Written by George Harrison
Recording • Remake - Take 6
Written by George Harrison
Recording • Remake - Take 7
Written by George Harrison
Recording • Remake - Take 8
Written by George Harrison
Recording • Remake - Take 9
Written by George Harrison
Recording • Remake - Take 10
Written by George Harrison
Recording • Remake - Take 11
Written by George Harrison
Recording • Remake - Take 12
Written by George Harrison
Recording • Remake - Take 13
Written by George Harrison
Recording • Remake - Take 14
Written by George Harrison
Tape copying • Tape reduction take 14 into take 15
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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