Friday, June 3, 1966
Recording and mixing "I Want To Tell You", mixing "Yellow Submarine"
For The Beatles
Last updated on October 20, 2022
Friday, June 3, 1966
For The Beatles
Last updated on October 20, 2022
April 6 - June 22, 1966 • Songs recorded during this session appear on Revolver (UK Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Interview June 1966 • The Beatles interview for The Beatles Monthly Book
Session Jun 02, 1966 • Recording "I Want To Tell You", mixing "Yellow Submarine"
Session Jun 03, 1966 • Recording and mixing "I Want To Tell You", mixing "Yellow Submarine"
Article June 1966 • "Paperback Writer" and "Rain" broadcast on UK television
Interview Jun 04, 1966 • The Beatles interview for BBC Light Programme
Next session Jun 06, 1966 • Mixing "And Your Bird Can Sing", "For No One", "I'm Only Sleeping", "Tomorrow..."
Some of the songs worked on during this session were first released on the "Revolver (UK Mono)" LP.
This was the 26th day of the recording sessions for the “Revolver” album.
The previous day, The Beatles had started recording the George Harrison-penned song, “I Want To Tell You“, under the working title “Laxton’s Superb“.
On this day, they completed the recording of this track, by adding Paul McCartney’s bass part onto take 4. The working title changed during that session, from “Laxton’s Superb“ to “I Don’t Know“.
Four mono mixes were then created, with ADT (artificial double-tracking) applied to George’s lead vocals and the handclaps played by the four Beatles. Remix Mono 1 was deemed the best and released on “Revolver“.
“I Want To Tell You” would be mixed in stereo on June 21, 1966.
“Yellow Submarine” had been recorded on May 26, 1966, and June 1. The first mono mix had been created on June 2. On this day, five mono mixes were created, with Remix Mono 5 considered the best. RM5 was released on “Revolver“.
“Yellow Submarine” would be mixed in stereo on June 22, 1966.
This session, which started at 7 pm, ended at 2:30 am.
Written by George Harrison
Recording • SI onto take 4
Written by George Harrison
Mixing • Mono mixing - Remix 1 from take 4
AlbumOfficially released on Revolver (UK Mono)
Written by George Harrison
Mixing • Mono mixing - Remix 2 from take 4
Written by George Harrison
Mixing • Mono mixing - Remix 3 from take 4
Written by George Harrison
Mixing • Mono mixing - Remix 4 from take 4
Mixing • Mono mixing - Remix 1 from take 5
Mixing • Mono mixing - Remix 2 from take 5
Mixing • Mono mixing - Remix 3 from take 5
Mixing • Mono mixing - Remix 4 from take 5
Mixing • Mono mixing - Remix 5 from take 5
AlbumOfficially released on Revolver (UK Mono)
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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