- Album Songs recorded during this session officially appear on the Revolver (UK Mono) LP.
- EMI Studios, Studio Three, Abbey Road
More from year 1966
Some songs from this session appear on:
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This was the 27th day of the recording sessions for the “Revolver” album.
From 7 pm to 12 pm, four tracks of the upcoming album were mixed in mono.
Like “And Your Bird Can Sing“, “I’m Only Sleeping” had been mixed in mono, for inclusion in the US album “Yesterday And Today“, on May 12. On this day, two mono mixes were done. Remix Mono 6 was released in “Revolver“.
Nine attempts at mixing “Tomorrow Never Knows” (labelled remix 1 to remix 9) were done on April 27, 1966. On this day, three further attempts (remix 10 to 12) were done. Remix Mono 11 was released on the first UK pressing of “Revolver“, but George Martin changed his mind about the best version of the song and decided to use Remix Mono 8 (from April 27) for all further mono releases.
The day was not over when all this mixing activity ended. From 12 pm to 1:30 am, Paul McCartney worked on “Eleanor Rigby” and added two vocal lines (“aah, look at all the lonely people”) replacing the congas and finger cymbal overdubs done on April 29, 1966.
“Eleanor Rigby” would be mixed in mono and stereo on June 22, 1966.
Last updated on October 21, 2022
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.