- Album This song officially appears on the The Beatles (Mono) LP.
- Timeline This song has been written (or started being written) in 1968 (Paul McCartney was 26 years old)
Related sessions
This song has been recorded during the following studio sessions
Recording "Martha My Dear", "Honey Pie"
Oct 04, 1968
Get Back sessions - January 10, 1969 - Day 7
Jan 10, 1969
Get Back sessions - January 14, 1969 - Day 9
Jan 14, 1969
First half of 2018 ?
Other Beatles songs where Paul McCartney is the only Beatle playing
Officially appears on Help! (Mono)
Officially appears on The Beatles (Mono)
Officially appears on The Beatles (Mono)
Related interviews
Paul recalls inspirations of LP
Nov 30, 1968 • From New Musical Express
Interview with Radio Luxembourg
Nov 21, 1968 • From Radio Luxembourg
Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.
Song facts
From Wikipedia:
“Martha My Dear” is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the “White Album”). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by numerous artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, and Les Boréades de Montréal.
Style and form
The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys.[page needed]
The song is notated mainly in the key of E♭ major, showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in “Two of Us“. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is. […]
“Martha My Dear” was recorded over two days on October 4 and 5, 1968 at Trident Studios in London. The basic track was recorded on the first day with Paul McCartney on piano and lead vocals, George Harrison on electric guitar and Ringo Starr on drums. John Lennon was absent from this session. Later in the evening, fourteen session musicians recorded a brass and strings arrangement. Then McCartney re-recorded his lead vocal track and added handclaps. He then double-tracked both the vocals and the handclaps. On October 5, he overdubbed his bass part, and the song was mixed in mono and stereo.
You see, I just start singing some words with a tune, you know what I mean. I don’t ever write a song thinking, ‘Now I’ll write a song about…’ I do sometimes, but mainly I don’t. Mainly I’m just doing a tune and then some words come into my head, you know. And these happened to be ‘Martha My Dear, though I spend my days in conversation.’ It doesn’t mean anything, you know, but those just happened to come to my head. So that’s what this song is about… it is about my dog. I don’t mean it, you know. I don’t ever try to make a serious social comment, you know. So you can read anything you like into it, but really it’s just a song. It’s me singing to my dog. (laughs)
Paul McCartney, from interview with Radio Luxembourg, 1968
Because my mum and dad both worked and were out all day, and my brother Mike and I were at school, there was no one to look after a dog. I remember one time we heard tell of puppies being given away in the next street, so we legged it round the corner, where, sure enough, there was a litter of puppies. We took a very cute little puppy home, but my mother told us we couldn’t keep it. We were crestfallen. Totally crushed.
When I grew up and was in the Beatles, I had a house of my own in London. More than that, I actually had a housekeeper looking after the house. The time was ripe to get a dog. I had always liked the look of Old English sheepdogs, so I went along to a place in Milton Keynes, about an hour north of London, and selected this little dog. I named her Martha. I just adored her. One of the unlikely side effects was that John became very sympathetic towards me. When he came round and saw me playing with Martha, I could tell that he liked her. John was a very guarded person, which was partly where all his wit came from. He’d had a very difficult upbringing, what with his father leaving home, his uncle dying, and his mother getting killed in a traffic accident. By the time I knew him, he could be very sarcastic. Not that I couldn’t be too. It was my own way of dealing with my mother’s death, I expect. We were both quite into the witty put-down. But seeing me with Martha, with my guard down, all of a sudden he started warming to me. And so he let his guard down too.
Paul McCartney – From Paul McCartney on his lyrics: ‘Eroticism was a driving force behind everything I wrote’ | Times2 | The Times – From “The Lyrics”, 2021
Paul McCartney in "Many Years From Now", by Barry Miles:
When I taught myself piano I liked to see how far I could go, and this started life almost as a piece you’d learn as a piano lesson. It’s quite hard for me to play, it’s a two-handed thing, like a little set piece. In fact I remember one or two people being surprised that I’d played it because it’s slightly above my level or competence really, but I wrote it as that, something a bit more complex for me to play. Then while I was blocking out words – you just mouth out sounds and some things come – I found the words ‘Martha my dear’. […][Martha] was a dear pet of mine. I remember John being amazed to see me being so loving to an animal. He said, ‘I’ve never seen you like that before.’ I’ve since thought, you know, he wouldn’t have. It’s only when you’re cuddling around with a dog that you’re in that mode, and she was a very cuddly dog. […]
It’s a communication of some sort of affection but in a slightly abstract way – ‘You silly girl, look what you’ve done,’ all that sort of stuff. These songs grow. Whereas it would appear to anybody else to be a song to a girl called Martha, it’s actually a dog, and our relationship was platonic, believe me.
From The Usenet Guide to Beatles Recording Variations:
[a] mono 5 Oct 1968 at Trident.
UK: Apple PMC 7067 white album 1968.[b] stereo 5 Oct 1968 at Trident.
UK: Apple PCS 7067 white album 1968.
US: Apple SWBO 101 white album 1968.
CD: EMI CDP 7 46443 2 white album 1987.This has a lot of tape hiss.



Last updated on December 30, 2021

The book "The Lyrics: 1956 to the Present", published in 2021, covers Paul McCartney's early Liverpool days, the Beatles, Wings, and solo careers, by pairing the lyrics of 154 of his songs with first-person commentaries of the circumstances in which they were written, the people and places that inspired them, and what he thinks of them now.
"Martha My Dear" is one of the 154 songs covered.
Lyrics
Martha my dear
Though I spend my days in conversation
Please remember me
Martha my love don't forget me
Martha my dear
Hold your head up you silly girl
Look what you've done
When you find yourself in the thick of it
Help yourself to a bit of what is all around you
Silly girl take a good look around you
Take a good look you're bound to see
That you and me were meant to be
For each other silly girl
Hold your hand out you silly girl
See what you've done
When you find yourself in the thick of it
Help yourself to a bit of what is all around you
You silly girl
Variations
Officially appears on
LP • Released in 1968
2:29 • Studio version • A • Mono
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
LP • Released in 1968
2:29 • Studio version • B • Stereo
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
The Beatles (Mono - 2009 remaster)
Official album • Released in 2009
2:29 • Studio version • A2009 • Mono • 2009 mono remaster
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Paul Hicks :
- Remastering
- Guy Massey :
- Remastering
- Sean Magee :
- Remastering
- Allan Rouse :
- Project co-ordinator
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
The Beatles (Stereo - 2009 remaster)
Official album • Released in 2009
2:29 • Studio version • B2009 • Stereo • 2009 stereo remaster
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Guy Massey :
- Remastering
- Steve Rooke :
- Remastering
- Allan Rouse :
- Project co-ordinator
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
The Beatles (Mono - 2014 vinyl)
LP • Released in 2014
2:29 • Studio version • A2014 • Mono • 2014 remaster
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Sean Magee :
- Remastering
- Steve Berkowitz :
- Remastering
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
The Beatles (50th anniversary boxset)
Official album • Released in 2018
2:29 • Studio version • C • Stereo • 2018 stereo mix
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Electric guitar
- George Martin :
- Producer
- Giles Martin :
- Producer
- Tony Tunstall :
- French horn
- Leo Birnbaum :
- Viola
- Leon Calvert :
- Flugelhorn, Trumpet
- Reginald Kilbey :
- Cello
- Barry Sheffield :
- Recording engineer
- Bernard Miller :
- Violin
- Dennis McConnell :
- Violin
- Lou Sofier :
- Violin
- Les Maddox :
- Violin
- Henry Myerscough :
- Viola
- Frederick Alexander :
- Cello
- Stanley Reynolds :
- Trumpet
- Ronnie Hughes :
- Trumpet
- Ted Barker :
- Trombone
- Alf Reece :
- Tuba
- Sam Okell :
- Mixing engineer
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Oct 05, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
The Beatles (50th anniversary boxset)
Official album • Released in 2018
2:29 • Outtake • D • Without brass and strings. "A mix of Paul's vocal and some handclaps on track five, along with Ringo's drums and rhythm guitar played by George on six, and Paul's piano on seven"
- Session Recording:
- Oct 04, 1968
- Studio :
- Trident Studios, London, UK
Bootlegs
A/B Road Complete Get Back Sessions - Jan 10th, 1969 - 3 & 4
Unofficial album • Released in 2004
9:58 • Rehearsal • Jan.10 - D4-06 - Martha My Dear 10.76
- Session Recording:
- Jan 10, 1969
- Studio :
- Twickenham Film Studios, London, UK
A/B Road Complete Get Back Sessions - Jan 14th, 1969 - 1 & 2
Unofficial album • Released in 2004
1:26 • Rehearsal • Jan.14 - D1-04 - Martha My Dear 14.03
- Session Recording:
- Jan 14, 1969
- Studio :
- Twickenham Film Studios, London, UK
A/B Road Complete Get Back Sessions - Jan 25th, 1969 - 5
Unofficial album • Released in 2004
1:11 • Rehearsal • Jan.25 - D6-13 - Martha My Dear 25.82
- Session Recording:
- Jan 25, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
Let 'Em Out Vol. 4 - World Tour Rehearsals
Unofficial album • Released in 2010
0:44 • Studio rehearsal • Bonus - Instrumental edit - No Horn
Unofficial live • Released in 2015
Soundcheck
Concert From the concert in Tokyo, Japan on Apr 28, 2015
Live performances
“Martha My Dear” has been played in 2 soundchecks.
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