Monday, October 2, 1967
Mixing "Your Mother Should Know", recording "Hello, Goodbye"
For The Beatles
Last updated on April 15, 2023
Monday, October 2, 1967
For The Beatles
Last updated on April 15, 2023
Recording the "Magical Mystery Tour" soundtrack
Apr 25 - May 3 and Aug 22 - Nov 17, 1967 • Songs recorded during this session appear on Magical Mystery Tour (US LP - Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Article Oct 01, 1967 • Filming of “Magical Mystery Tour” • Day 13
Session Circa October / November 1967 • Home recording of "Step Inside Love"
Session Oct 02, 1967 • Mixing "Your Mother Should Know", recording "Hello, Goodbye"
Session Oct 06, 1967 • Recording "Blue Jay Way"
Article Oct 07, 1967 • The Beatles refuse $1 million for two concerts in the US
Some of the songs worked on during this session were first released on the "Magical Mystery Tour (US LP - Mono)" LP.
By The Beatles
This session, which began at 10 pm and ended at 2:30 am the following morning, saw the creation of the mono mix of “Your Mother Should Know“, and the first takes of “Hello, Goodbye“.
On August 22 and 23, 1967, The Beatles recorded a version of “Your Mother Should Know” at Chappell Recording Studios. On September 16, they decided to work on a remake of the track. However, the remake was eventually scrapped, and, on September 29, they returned to the original takes at Chappell to add more overdubs and finalize the track.
On this day, five mono mixes of “Your Mother Should Know” were created, numbered 21 to 25. The last of these became the master version. The stereo mix was made on November 6, 1967.
“Hello, Goodbye” was intended to be The Beatles’ next single and was not technically a part of the “Magical Mystery Tour” soundtrack, despite appearing over the end credits.
On this day, the band recorded 14 takes of the basic track under the working title “Hello Hello.” The lineup consisted of Paul McCartney on piano, John Lennon on organ, George Harrison on tambourine, and Ringo Starr on drums. Take 14 was considered the best, and the first overdubs were added, including maracas and bongos played by unknown Beatles, as well as congas added by Ringo. The four tracks were then mixed down to a single track, through two tape reductions, named Take 15 and Take 16.
Two weeks later, on October 19, 1967, work on “Hello, Goodbye” continued.
On October 2 it was time to get going on “Hello, Goodbye”. Work on this recording was spread over quite a few weeks because all the four boys were busy editing and doing other jobs connected with the “Magical Mystery Tour” film. You already know that Paul is the lead singer on “Hello, Goodbye” with George joining him and John to supply the answering voices. Those spiky, metallic guitar chords are played by John and George. Session men added the sound of two violas. Paul is on the piano and extra percussion rhythm instruments like bongos and conga drums were brought in towards the end for the Maori finale! Incidentally, sessions were delayed a couple of days in October when Paul got a swollen face caused by a hole in one of his teeth. But he’s O.K. now!
Mal Evans – From the Beatles Monthly Book, N°54, January 1968
Mixing • Mono mixing - Remix 21 from take 52
Mixing • Mono mixing - Remix 22 from take 52
Mixing • Mono mixing - Remix 23 from take 52
Mixing • Mono mixing - Remix 24 from take 52
Mixing • Mono mixing - Remix 25 from take 52
AlbumOfficially released on Magical Mystery Tour (US LP - Mono)
Recording • Take 1
Recording • Take 2
Recording • Take 3
Recording • Take 4
Recording • Take 5
Recording • Take 6
Recording • Take 7
Recording • Take 8
Recording • Take 9
Recording • Take 10
Recording • Take 11
Recording • Take 12
Recording • Take 13
Recording • Take 14
Tape copying • Tape reduction take 14 into take 15
Tape copying • Tape reduction take 14 into take 16
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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