Part of
Recording the "Magical Mystery Tour" soundtrack
Apr 25 - May 3 and Aug 22 - Nov 17, 1967 • Songs recorded during this session appear on Magical Mystery Tour (US LP - Mono)
- Album Songs recorded during this session officially appear on the Magical Mystery Tour (US LP - Mono) LP.
- Studio:
- EMI Studios, Studio Two, Abbey Road
Timeline
More from year 1967
Some songs from this session appear on:
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About
On this day, The Beatles continued working on “I Am The Walrus” and “Flying“, two tracks for the soundtrack of their “Magical Mystery Tour” TV special. However, prior to their arrival, copies of the songs “Magical Mystery Tour” and “Flying” in their current state were created for the film producer, Denis O’Dell. This activity took place in the control room of Studio Two between 4 pm to 5:30 pm.
On September 5 and 6, 1967, The Beatles recorded the backing track for “I Am The Walrus“. This was captured in Take 17, with all instruments and John Lennon’s vocals available on three different tracks. Later on, September 27, a tape reduction of Take 17 was carried out to create room for orchestra and choir overdubs. Subsequently, Take 25 was created, and it had all instruments and John Lennon’s vocals from the backing track on track one, orchestra overdubs on track two, and choir on track three.
On this day, still between 4 pm and 5:30 pm, the engineering team went back to Take 17, which had a spare track, and dubbed the orchestral and choral overdubs from Take 25 onto it. From that point forward, all subsequent mixing was done from Take 17.
The Beatles arrived for the second session of the day, which began at 7 pm and ended at 3 am. During this time, four mono mixes of “I Am The Walrus” were produced from Take 17, and ADT (artificial double tracking) was applied to John’s vocals. These mixes were labelled RM 2 to RM 5, with RM2 being deemed the best and subject to some editing. Further work was done on mixing the track the following day.
Around 9 pm, The Beatles continued work on their incidental piece of music, “Flying,” which they had begun recording on September 8, 1967, under the working title “Aerial Tour Instrumental.” They added additional overdubs to Take 8.
John Lennon played the Mellotron on the flute setting, while George Harrison contributed acoustic guitar parts. Ringo Starr played maracas and Paul McCartney struck an object to create a wood block-type sound.
John and Ringo also prepared tape loops containing Mellotron, organ, and chimes to replace the previous “Dixie Trombone” ending. These loops were added in five separate overdubs, the first of which was played backwards and lasted from 1’24” to 2’48”. The second loop ran from 2’51” to 5’14”, the third from 5’25” to 6’09”, the fourth played backwards from 6’16” to 7’01”, and the final loop, also played backwards, lasted from 7’06” to 9’35”.
Although these additions completed the recording, they were ultimately edited out of the released versions of the song. However, they were used throughout the TV special. The final mix of the song fades before the first tape had ended.
At the end of the session, two mono mixes were created and numbered RM5 and RM6, respectively. RM6 was then edited down to 2:14 and was ultimately selected for the soundtrack release.
The stereo mix of the track was not made until November 7, 1967.
Last updated on April 10, 2023
Songs recorded
1.
2.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Tape copying • Tape copying of remix mono 4
3.
Tape copying • Tape reduction take 25 as SI onto take 17
4.
5.
6.
7.
8.
9.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Recording • SI onto take 8
10.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Recording • Takes 1-5 of SI onto take 8
11.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Mixing • Mono mixing - Remix 5 from take 8
12.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Mixing • Mono mixing - Remix 6 from take 8
Album Officially released on Magical Mystery Tour (US LP - Mono)
13.
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
Editing • Editing of remix mono 6
Staff
Musicians on "Flying"
- Paul McCartney:
- Percussion
- Ringo Starr:
- Tape loops, Maracas
- John Lennon:
- Mellotron, Tape loops
- George Harrison:
- Acoustic guitar
Production staff
Going further
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.
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