Monday, June 20, 1966
For The Beatles
Last updated on October 22, 2022
April 6 - June 22, 1966 • Songs recorded during this session appear on Revolver (UK Mono)
Recording studio: EMI Studios, Studio One, Abbey Road
Previous session Jun 17, 1966 • Recording and mixing "Here, There And Everywhere", "Got To Get You Into My Life"
Interview Jun 18, 1966 • Paul McCartney interview for Disc And Music Echo
Interview Jun 18, 1966 • Paul McCartney interview for Melody Maker
Session Jun 20, 1966 • Mixing "Got To Get You Into My Life"
Album Jun 20, 1966 • "Yesterday and Today (Mono)" by The Beatles released in the US
Album Jun 20, 1966 • "Yesterday and Today (Stereo)" by The Beatles released in the US
Next session Jun 21, 1966 • Recording "She Said She Said", mixing session for "Revolver"
AlbumSome of the songs worked on during this session were first released on the "Revolver (UK Mono)" LP
“Got To Get You Into My Life” was recorded at the beginning of the “Revolver” sessions, on April 7, 8, 11 and May 18, 1966. The last overdub was added on June 17, and four mono mixes were created. But it was thought those mixes could be improved upon, especially the brass section.
On this day, from 6 pm to 8:30 pm, the mono mix released on “Revolver” was created.
During the additional mono remixing of ‘Got To Get You Into My Life’, late at night on 17 June, it was decided that the song’s brass section needed beefing up a little. This was done by making a copy of remix seven (calling it remix eight) and then superimposing, fractionally out of sync, the instruments from the original session tape of the 18 May brass overdub.
From The Complete Beatles Recording Sessions by Mark Lewisohn, 2004
There were only five [brass] players on the session, and when it came time to mix the song, Paul kept saying, ‘I wish we could make the brass sound bigger.’
George Martin replied, ‘Well, there’s no way we’re bringing them back in for another session – we’ve got to get the album wrapped up and there’s no more budget for outside players anyway.’ That’s when I came up with the idea of dubbing the horn track onto a fresh piece of two-track tape, then playing it back alongside the multritrack, but just slightly out of sync, which had the effect of doubling the horns.
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
“Got To Get You Into My Life” would be mixed in stereo on June 22, 1966.
Mixing • Mono mixing - Tape copy of remix 7 into remix 8 with SI added from take 8
AlbumOfficially released on Revolver (UK Mono)
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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