Friday, January 12, 1968
Last updated on October 4, 2024
Article Jan 09, 1968 • Look magazine publishes psychedelic photos of the Beatles
Session Jan 10, 1968 • Recording "Lullaby"
Article Jan 12, 1968 • Legal Beatles structures changed their names to Apple
Session Jan 12, 1968 • Recording "The Inner Light"
Session Jan 14, 1968 • "And The Sun Will Shine / The Dog Presides" session
Next article Jan 17, 1968 • The Beatles attend Grapefruit press launch
In November 1967, The Beatles Ltd., formed in June 1963, changed its name to Apple Music Ltd. The name “Apple” was suggested by Paul McCartney, who was inspired by “Le Jeu de Mourre”, a painting by René Magritte that he acquired through art dealer Robert Fraser.
On this day, Apple Music Ltd. changed its name again to Apple Corps Ltd. From Medium:
[…] On January 12, 1968 Apple Music Ltd, which had been in business since June 1963 as The Beatles Ltd, changed its name yet again, this time to Apple Corps Ltd, and The Beatles Film Productions Ltd changed its name to Apple Films Ltd. Apple Corps in turn controlled dozens of new companies: Apple Records Ltd, Apple Films Ltd, Apple Music Publishing Ltd and Apple Electronics Ltd; soon to be joined by Apple Wholesale Ltd, Apple Retail Ltd, Apple Television Ltd, Apple Publicity Ltd and more. The Apple School never got off the ground; it would have been run by Ivan Vaughan, an old friend who first introduced John and Paul to each other.
Neil Aspinall spent weeks incorporating these companies and registering them as trademarks in every country in the world where it was possible to do so. This paid off in spades when Apple Computers launched the iPod and moved into music distribution. A series of lawsuits netted the Beatles many millions for copyright infringement. […]
From Why The Beatles Created Apple Music | by Barry Miles | Cuepoint | Medium
Apple Corps Ltd. also took over the 20% interest in Maclen Music previously held by NEMS Enterprises.
Various friends and acquaintances were hired by The Beatles in the coming weeks and months, to manage Apple Corps and the different companies controlled by it.
Peter Asher (23 year old) | A&R (Artists and Repertoire) for Apple Records | |
Neil Aspinall (26 year old) | Director of Apple Corps Ltd | |
Jeremy Banks (33) | Photographic coordinator for Apple and The Beatles | |
Mike Berry | ||
Tony Bramwell (23) | Apple Films | |
Peter Brown (32) | Personal assistant to The Beatles | |
Richard DiLello (23) | House Hippie | |
Terry Doran | ||
Mal Evans (32 year old) | ||
Ron Kass (33) | Director or Apple Records | |
Brian Lewis (44) | Business consultant | |
Alexis Mardas (27) | Director of Apple Electronics | |
Dee Meehan | ||
Chris O’Dell | ||
Denis O’Dell | Director of Apple Films | |
Carol Paddon | Secretary | |
Alistair Taylor (33) | Office manager and chief fixer | |
Derek Taylor (36) | Press officer and Apple publicist | |
Paul was round at my house one day, and he was just talking about this side idea he’d had. It was him that thought of the name of things, and he had the idea for Apple. He wanted it to be huge. He wanted it to be just about everything. Films, theatre, television, records, and even space ships. There were just no limits to what it was going to be. We were talking about the record division and I was dying to produce records. I had already produced records for Paul Jones, and a couple of other people for EMI, although nothing had been a big hit. Paul had liked the things I was doing; in fact, he played drums on a Paul Jones single for me (‘And The Sun Will Shine’). He asked me if I would like to produce some records for Apple, and I, naturally, said yes. The next day, he called up and said, ‘Well, why don’t you become the head of A & R,’ and I said, ‘Sure, great. I would love to.’ This was the way that Apple was being set up at the time. The only other person appointed to the Apple Records in any capacity was Mal Evans, who was there in a general manager capacity. Then when Apple finally got going, it materialised that I really was head of A&R, so that was the start of my professional involvement.
Peter Asher – From “The Beatles: Off the Record” by Keith Badman, 2008
The great thing with The Beatles was always the surprises that they spring on you. You never knew what was going to happen. When Apple was starting to get together, and we all had a meeting, Paul said to me, ‘What are you doing, Mal?’ And I said, ‘Well, not much at the moment, ‘cos I’m not working.’ So, he said, ‘Right, you’re going to be president of Apple Records.’ I thought, ‘Great, but what does a managing director do? He’s got to be groovy and go out and find talent for the label.’ So, I found this group called The Iveys, which turned into Badfinger.’
Mal Evans – From “The Beatles: Off the Record” by Keith Badman, 2008
Paul said, ‘Right, let’s have a record label.’ They had heard about this American guy called Ron Kass, who was a big record man, and Paul found out that he was passing through London, through London Airport, one day, on his way to LA. So Paul rang him, and asked him to stop over, and have some lunch. So Paul and myself went out to the airport to meet this guy off the plane and we went to lunch. And there and then, over the lunch table, Paul offered him the job of head of Apple Records.”
Alistair Taylor – From “The Beatles: Off the Record” by Keith Badman, 2008
It’s Apple Blossom Time in Beatleland.
Apple first appeared before the public eye last summer when the back of the “Sgt. Pepper” LP sleeve carried the words “Cover by MC Productions and The Apple”.
By December, Apple Music, the publishing firm headed by The Beatles’ Liverpool mate Terry Doran, was well under way. The same month the Apple shop at 94 Baker Street opened to the public, the book which went with the “Magical Mystery Tour” EP records contained a drawing of Apple’s trademark and the line “Apple Presents…” whilst the 1968 Christmas record sent out to fan club Beatle People had on its sleeve the bit about this being “another little bite of The Apple”.
CLOSE FRIEND
Terry Doran is just one of many close friends involved in the network of Apple companies. With Apple Films there Is Tony Bramwell, at the Apple shop you’ll find Pete Shotton. And at the offices of Apple Corps, the headquarters of the entire operation, are Peter Brown, Alistair Taylor, Neil Aspinall and Mal Evans, all Liverpool folk who have been connected in one way or another with the Beatles’ progress since earliest days.
Why APPLE in the first place? That was Paul’s suggestion because he felt it was one of the very first words young people learn. A is for Apple… it’s right there at the beginning of most basic alphabet books. They haven’t put B is for Beatles on Page Two just yet but who knows!…
Without being too complicated about it, the simple explanation of Apple is that it represents a new way of putting The Beatles’ wealth to work. In the past John, Paul, George and Ringo have let wise old men of money invest on their behalf in giltedgers, safe and secure investments promising certain returns. Apple is The Beatles’ decision to put at least a few great chunks of their accumulated fortunes into things that please them and people they have faith in, personally supervised business ventures they would like to see do well instead of impersonal things like steel and oil.
Just because so many of their Liverpool buddies and pals are Involved you should not get the idea that Apple is nothing more than a Jobs For The Boys set-up. On the contrary it is designed to use the talents of clever men and women who have flairs for doing particular things. That’s why The Beatles decided they’d like to let The Fool have a hand in the designing of the Apple shop. Then there’s electronic genius Alex Mardas who is already preparing exciting inventions for Apple Electronics to produce.
MANY SLICES
How many slices of Apple are already operational? Apart from the Apple shop and Apple’s music publishing company, there are Apple Films, Apple Retailing, Apple Wholesale and Apple Records. Derek Taylor and Mal Evans are both involved with Apple Records for which George Harrison produced several recording studio sessions before he went off to India. Apple Records will be specially interesting to pop people because it is to be a production company designed to bring forward new pop talent on to the 1968 chart scene. It will have its own record label and first releases are to be expected quite soon.
PANORAMA
I have not covered anything like the whole Apple panorama, But that’s it up to now. As you read this page probably there’s another important Apple conference going on somewhere in London to plan the latest phase of the operation. The possibilities for Apple are unlimited. The Beatles see this as a vast concept, a massive environment, capable of making and selling all kinds of assorted goods and services. There is no reason why we should not be buying Apple electric shavers or Apple detergents before the year is out. Yes, Apple apples even!!! And what about Apple discotheques and Apple motor bikes? As Paul himself has said “Everything is possible”.
It’s important to realise that these Apple ventures are all ADDITIONS to The Beatles’ existing activities. The introduction of Apple doesn’t change all the things The Beatles have been doing — it just gives them an impressive variety of new ideas to work on. Meanwhile they will still go on making records in the same way and they will continue to be associated very closely with NEMS Enterprises.
From the Beatles Monthly Book, N°57, April 1968
THE BIG BUSINESS BEATLES – WITH A BITE OF THE APPLE FOR ALL THEIR OLD MATES
A IS for Apple. B is for Beatles and Big Business, a multi-million pound business the group is building from a fifth-floor office in Wigmore Street. Soon they move to a quarter-million pound headquarters in Savile Row, and yesterday they revealed to me their plans for their new empire.
From behind a huge oak desk cluttered with coffee cups, sandwiches and sheets of paper, Paul McCartney told of the Beatles’ fourpronged attack into the world of big business, and their bid to secure a Dr. Beeching figure to run it all.
Apple Corps, Limited, is the new company created by the Beatles with the spare half a million pounds left in the kitty after Beatlemania ended. It has branched into four major divisions — music, electronics, merchandise and films.
Managing director is Neil Aspinall, the ex-road manager who used to carry the Beatles’ bags. Aspinall has crossed the world three times making the contacts and forging the links for the organisation to succeed. “He’s really come right out of his shell. We always knew it was there, but we didn’t know he was going to develop with such tenacity,” said George Harrison of Aspinall. “Mind, he should. He collected eight GCEs at school and that’s more than the rest of us together, which makes him a lot brainier than us.”
A lot of the Beatles’ old friends have jobs in the organisation. But Paul McCartney said: “In a year’s time the organisation will be so big that the friends we have will be immersed by friends we never dreamed of.”
Each department has its own boss:
Denis O’Dell, 41, from Eire, associate producer of the Beatles’ first film “A Hard Day’s Night,” has taken over as their film chief. As yet, Apple have got to get their first film off the ground. But O’Dell says: “We hope to have four major productions in the pipeline by the end of the year.” And Apple plan to make the Beatles’ next picture. O’Dell told me: “Our first film is titled ‘The Jam’ — the story of a traffic jam — and the love-hate, selfishness and greed it can cause.” Also planned are the film versions of the two Lennon books, “In His Oum Write” and “A Spaniard in the Works.”
Ronald Kass, 31 an American and once the whiz kid behind Liberty Records, is in charge of all the new artists and the sheet music, as well as the records. “We’re going away fast,” said Kass. “Many people in the record industry are going to be stunned by the progress we make.”
John Lyndon, who came to the attention of the Beatles after he promoted pop concerts, is in charge of merchandise. He was once a Portobello-road stall keeper. He said: “Very soon we shall start a mail order catalogue, so the kids in the provinces who can’t afford to come to London can get their garments and goods.”
SURPRISING territory into which the Beatles move is electronics. John Lennon happened to meet bearded Greek research chemist and inventor Alexis Mardas, 26, who was tramping his way to Africa. The only people he knew in London were Lord Snowdon and Prince Philip. But he got to know the Beatles as well — and signed up with Apple. In the space of a few weeks he has brought out over fifty new gadgets from radios to telephonic equipment, and these are now being patented. In the new building he will get a basement laboratory.
Yesterday in the Wigmore-street offices, there was a kind of flurry which you might see in the City. There was a wiry-haired singer from America hoping the Beatles or an Apple executive would listen to a demonstration record. Wages clerk Angela Walsh, 19, from Fulham making up the monthly cheques for signature. There are forty-nine on the payroll. “I know what everyone is earning in the organisation apart from the Beatles,” she said. “But of course it is strictly confidential.“
The Beatles commute between the offices of the executives they have appointed. John and Paul were in yesterday soon after nine o’clock.
THEY have decided to run the organisation themselves, although they haven’t become directors or chairmen, because they own it — and that’s all they need to do.
“We’ve been looking for a Beeching figure to come in and organise us,” revealed John. “We had several of ’em in, but they just didn’t come up to scratch. The chaps we had in the interview were bigoted. They thought they knew everything and that they were just dealing with four clowns. But we saw through them right away and felt we couldn’t offer any one of them the £20.000 a year we were prepared to pay. We could fall flat on our faces — but, so what if we do ? But at the moment we can only see success,” John said.
Apple is setting up a staff pension insurance scheme and other facilities. Said Paul: “We’re going to have our own brass band.”
There are six other key figures in the organisation. Most influential among them — 25-year-old Stephen Maltz, who has been accountant to the Beatles for the past three years. “I shall be disappointed if Apple doesn’t turn over £10m. sterling within the next three years,” he said.
Brian Lewis, a solicitor who once worked on the James Bond films, is assisting O’Dell on the picture-making front.
There’s Derek Taylor, 33, former personal assistant to Brian Epstein, Peter Brown, who once managed Epstein’s record shops in Liverpool, and Wendy Hanson, 31, publicity consultant.
Another old Beatles’ friend has an office in the Apple empire, 26-year-old Peter Shotton, former member of the Quarrymen group of which all the Beatles, apart from Ringo, were members. He was the washboard player of the group, but there was no place for him when the Beatles assembled as we know them today. Now he’s personal assistant to John Lennon.
Today Apple is brushing aside the conventions of big business. Tomorrow the Beatle bosses could be on their way to another fortune.
From the Daily Mirror – June 12, 1968
The Beatles Diary Volume 1: The Beatles Years
"With greatly expanded text, this is the most revealing and frank personal 30-year chronicle of the group ever written. Insider Barry Miles covers the Beatles story from childhood to the break-up of the group."
We owe a lot to Barry Miles for the creation of those pages, but you really have to buy this book to get all the details - a day to day chronology of what happened to the four Beatles during the Beatles years!
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stevenwkopp • 2 years ago
The Beatles Monthly page and text shown above is not cited correctly. The page is from Beatles Monthly Book 57, April 1968, page 25. Cheers
The PaulMcCartney Project • 2 years ago
Thanks Steven. This is now fixed!