Monday, November 28, 1966
Recording "Strawberry Fields Forever" #2
For The Beatles
Last updated on January 15, 2023
Monday, November 28, 1966
For The Beatles
Last updated on January 15, 2023
Recording "Sgt. Pepper's Lonely Hearts Club Band"
Nov 24, 1966 - Apr 20, 1967 • Songs recorded during this session appear on Sgt. Pepper's Lonely Hearts Club Band (UK Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Article Nov 25, 1966 • Paul McCartney joins a press reception for the Jimi Hendrix Experience
Session Nov 25, 1966 • Recording the Beatles' 4th Christmas record
Session Nov 28, 1966 • Recording "Strawberry Fields Forever" #2
Session Nov 29, 1966 • Recording "Strawberry Fields Forever" #3
Article Dec 01, 1966 • Paul McCartney attends a Young Rascals show
Some of the songs worked on during this session were first released on the "Strawberry Fields Forever / Penny Lane" 7" Single.
On November 24, 1966, after five months spent away from the recording studios, The Beatles were back at EMI Studios, Abbey Road, to start recording their next single and album. They spent the day recording Take 1 of John Lennon’s new song, “Strawberry Fields Forever“.
On this day, November 28, from 7 pm to 1:30 am, they continued the work on “Strawberry Fields Forever“, recording three more takes (numbered takes 2 to 4), with John Lennon on guitar, Paul McCartney on mellotron, George Harrison on maracas and Ringo Starr on drums.
On those takes, the song was arranged slightly differently than on take 1 – whereas Take 1 had begun with the first verse, this time it started with a mellotron introduction followed by the chorus. The key was also changed from C to B flat.
A few days later, we reconvened at Abbey Road and work resumed on “Strawberry Fields Forever,” as the song had been titled. The big breakthrough that night was Paul’s coming up with the stunning Mellotron line that opens the song. Paul’s inspiration really set the stage. In many ways, it was a harbinger of things to come over the next several months — the perfect, unique introduction to a series of near-perfect, near-unique sessions.
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Take 2 broke down around two and a half minutes. Take 3 was a false start. Take 4 was complete and received some overdubs. John added his lead vocals and some staccato guitar, George added some mellotron and Paul a bass line.
Take 4 was considered worthwhile at this stage and three rough mixes were then done to cut some acetates. It was released on Sgt. Pepper’s Lonely Hearts Club Band (50th anniversary boxset) in 2017.
Work on “Strawberry Fields Forever” would continue the following day, November 29, 1966.
Recording • Take 2
Recording • Take 3
Recording • Take 4
Recording • SI onto Take 4
AlbumOfficially released on Sgt. Pepper's Lonely Hearts Club Band (50th anniversary boxset)
Mixing • Mono mixing - Remix 1 from take 4
Mixing • Mono mixing - Remix 2 from take 4
Mixing • Mono mixing - Remix 3 from take 4
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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