Sgt. Pepper's Lonely Hearts Club Band (50th anniversary boxset)

2:03 • Studio version • D • Stereo • 2017 stereo mix

Session Recording:

Feb 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Feb 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 03, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 06, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:44 • Studio version • D • Stereo • 2017 stereo mix

Session Recording:

Mar 29, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 30, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 31, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:29 • Studio version • F • Stereo • 2017 stereo mix

Session Recording:

Mar 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 03, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:48 • Studio version • C • Stereo • 2017 stereo mix

Session Recording:

Mar 09, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 10, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 23, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:37 • Studio version • C • Stereo • 2017 stereo mix

Session Recording:

Feb 09, 1967

Studio :

Regent Sound Studio, London

Session Recording:

Feb 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Feb 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:35 • Studio version • C • Stereo • 2017 stereo mix

Session Recording:

Mar 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:38 • Studio version • F • Stereo • 2017 stereo mix

Session Recording:

Feb 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

28, 29, 31 March 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 31, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

5:05 • Studio version • C • Stereo • 2017 stereo mix

Session Recording:

Mar 15, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 22, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Apr 03, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Session Mixing:

Apr 04, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:38 • Studio version • D • Stereo • 2017 stereo mix

Session Recording:

Dec 06, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

8,20,21 Dec 1966

Studio :

EMI Studios, Abbey Road

Session Mixing:

Dec 30, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

2:42 • Studio version • C • Stereo • 2017 stereo mix

Session Recording:

Feb 23, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Feb 24, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 07, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:41 • Studio version • D • Stereo • 2017 stereo mix

Session Recording:

Feb 08, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Feb 16, 1967

Studio :

EMI Studios, Studio Three, Abbey Road

Session Overdubs:

13, 28, 29 March 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Apr 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

1:19 • Studio version • E • Stereo • 2017 stereo mix

Session Recording:

Apr 01, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Session Mixing:

Apr 01, 1967

Studio :

EMI Studios, Studio One, Abbey Road

5:37 • Studio version • E • Stereo • 2017 stereo mix

Session Recording:

Jan 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Jan 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

3,10,22 Feb 1967

Studio :

EMI Studios, Abbey Road

Session Mixing:

Feb 22, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:40 • Studio version • K • Take 1. Too much criticism to George Martin because on Anthology CDs Vol. 2 he "erased" Paul and George’s backing vocals, when in reality, he gave us the actual TAKE 1 without any overdubs as Mark Lewisohn documented, a version that wasn’t bootlegged before that. The very same day of this recording, November 24th, 1966, John recorded a second vocal (double tracked vocal) and Paul and George added backing harmonies, all over that first take and that’s the version that was bootlegged before and it’s the same version appearing now. Now, on this Deluxe edition: Giles edited out some mellotron warm up sounds after the "Take One" announcement, missing 22 seconds that are available on bootleg, and also he faded out 8 seconds of post-take studio sounds.

Session Recording:

Nov 24, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:00 • Studio version • G • Take 4. The bootlegs have it complete, while now Giles faded out five seconds of music (the actual end). Everything else is the same, including the slate announcement.

Session Recording:

Nov 28, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:17 • Studio version • J • Take 7. Could this be something new (as Take 7- overdubs on Take 6- has been around on bootlegs for many years)? [...] This Take 7 from the new Pepper Deluxe Box set has the same introduction as on bootlegs (with someone whistling and George Martin saying “Strawberry Fields Forever Take seven…”), Giles again edited out 8 seconds after the “Remix from four track Take Six” announcement and also did a fade out, but despite having those edits, there is something different. [...] An undocumented RS mix or simply Giles edited out the “Donald Duck” sounds, the hiccup, the “Ohh” and added Paul’s count-in? But if he did that, why the original RM3 doesn’t have also neither of that and the count-in has the same volume intensity? Giles took Paul’s count-in from the Mono Mix? (because none of the bootleg sources containing Take 7 have a count-in.) This Take 7 Stereo Mix is new to me.

Session Recording:

Nov 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:19 • Studio version • H • Take 26. The bootleg version is complete with pre-take announcement sounds and no slight fade out at the end, while on this new version we have that. Also Giles try to hide John’s vocal warm ups during the first seconds on the song that can be heard clear and loud on the bootleg and here are almost imperceptible.

Session Recording:

Dec 15, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

4:11 • Studio version • I • Stereo • 2015 mix - The mellotron is at the Center throughout the recording, instead of at left. The drums are centered instead of being at the left. The jangly guitars during the slow take of the song are to the right now, instead of centered. The bass is more prominent in the new mix. The transition between the major takes is a little covered up – being less abrupt than the 1971 stereo mix but not panning like the first stereo mix. The swarmandal moves across from R to L (as 1971 stereo). The extra plink after “think” is there, but it’s not as loud as German stereo. The horns are not as loud in verse 3 and are spread around (some at L, some at C). The guitar at C is softer during the fade. There is more echo on the horns during the fade, or so it seems. “Cranberry Sauce” appears only once.

Session Recording Take 7:

Nov 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording Take 26:

Dec 08, 1966

Studio :

EMI Studios, Abbey Road

Session Overdubs:

Dec 09, 15 and 21, 1966

Studio :

EMI Studios, Abbey Road

Session Mixing:

Circa 2015

Studio :

EMI Studios, Abbey Road

Details & description coming from Frank Daniels

3:00 • Studio version • E • Take 2. Starts with a "Take Two" announcement and some warm up but the rest is just the released take (minus overdubs), so this is not actual Take 2 (Takes 1 and 2 were instrumental). This is Take 2 Vocal Overdub (the same as the released version, Giles could have use a different vocal take but he didn’t) recorded two days later.

Session Recording:

Dec 06, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Dec 08, 1966

Studio :

EMI Studios, Studio One, Abbey Road

Details & description coming from The Daily Beatles

2:56 • Studio version • F • Take 6 – Instrumental. One of the highlights of this new Deluxe set not available before. Paul starts the count-in and the familiar piano notes, but from the second 41 the song adds a different rhythm buried on the final take (and also buried on the Anthology CD2 version that uses part of this take). This is like hearing a new Penny Lane version with instruments and elements not present on the final or the other known takes.

Session Recording:

Dec 29, 1966

Studio :

EMI Studios, Abbey Road

Details & description coming from The Daily Beatles

1:47 • Studio version • G • Vocal Overdubs And Speech. New. “Vocal overdubs”?? Just the boys hearing through their headphones a rough cut of the song while they add some “da da daa” and handclaps (and sing some parts at the same time but not for recording, just to keep track of their “hand clap overdubs”). Still, new and nice to hear.

Session Recording:

Jan 06, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:00 • Studio version • H • Stereo • 2017 stereo mix

Session Recording:

Dec 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

30 Dec 1966 and 4, 5, 6, 9, 10, 12 Jan 1967

Studio :

EMI Studios, Abbey Road

Session Mixing:

2017 ?

Studio :

EMI Studios, Abbey Road

4:41 • Studio version • G • Take 1. “In the Life Of… Take One” announcement available before but some micro seconds before that are new. This take was partially available mixing the Anthology Vol. 2 CD and the Making of Sgt Pepper, here is complete for the first time. It lacks Paul’s vocal part. During the last 24-bar count in by Mal, John jokes on him counting from 10 to 13 in a funny voice.

Session Recording:

Jan 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

4:49 • Studio version • H • Take 2. The other highlight of this new boxed set. Pretty much the same as Take 1 but at the end John improvises with his piano. Starts with a “Take Two” announcement that is new. 2:20 of this song was available before on the Anthology CD 2, now we have it complete running 4:48. It also lacks Paul’s vocal part. The final “Hummm” Take 11 was edited here at the end for some strange reason and on the 2 disc version will be included after Take 1. (For the die-hards, they need to also buy the 2 CD version just for that edit)

Session Recording:

Jan 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

0:56 • Studio version • I • Orchestra Overdub. Already available on Anthology 2 discs but now here it is complete and clean, still nothing really new or great because it’s also the released take from the final part. Starts with some ambient noises, people talking at distance, “A Day in the Life” playing as background just to keep track. The end is the same as on the Anthology CDs but lacks Paul’s comments that were inserted there. Just 0:55 of duration.

Session Recording:

Feb 10, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Details & description coming from The Daily Beatles

1:55 • Studio version • J • (Hummed Last Chord) [Takes 8, 9, 10 and 11]. 1:53 is the total length of this track and until we have the liner notes, we don’t know yet who’s doing the “Hummmss” besides John, Paul and George that can be heard on the tape, plus a woman that could be Patti Boyd (picture available) or Leslie Bryce (Beatles Monthly Book) or Cynthia or anyone else and one or two more male vocals that could be also anyone since Mark Lewisohn says this four takes named edit pieces takes 8-11 were recorded after the orchestral session where many friends attended. Even Mark L. don’t document who’s here doing all the “Hummmms”

Session Recording:

Feb 10, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Details & description coming from The Daily Beatles

2:53 • Studio version • K • The Last Chord. New. All nine takes for the first time (all announced and all complete except the final take, according to Mark L, take 7 was 59 seconds long but Giles here just included THREE seconds, the rest seems to be as complete as they were recorded). John, Paul, Ringo and Mal Evans at the same time on three pianos recording all nine edit pieces of the final piano note. Take 9 here is the overdubbed version and almost near the end we can hear George Martin saying “pretty good”. Total length of this track is 2:52, another highlight of this new collection.

Session Recording:

Feb 22, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

2:34 • Studio version • E • Take 1 – Instrumental. New. Take announcement coming from both Geoff Emerick and Richard Lush. That is new, the following warm-up pre take is edited here on the official box to just 13 seconds, five of which are new, but the rest was already available from the Rockband video game “chats and warm up before the actual song” mix and lasting longer (49 seconds) before they play the actual Take 1 (also NEW). Another highlight from this box, and after the take ends we can hear Geoff saying “Take Two”..

Session Recording:

Feb 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

2:37 • Studio version • F • Take 9 And Speech. Another “Gilestein” mix. Actual Take 9 was a backing track or instrumental. Take 10 became when Paul added his final vocal part BUT before that he also tried many vocal takes, none of which were included here but the final and official vocal take! (except for the “Free Now” impro) ...

Session Recording:

Feb 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Feb 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

1:04 • Studio version • E • Take 1 – Instrumental, Breakdown. New, only 1:03 but great. After the breakdown we can hear a “Take Two” announcement as well.

Session Recording:

Feb 08, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

2:47 • Studio version • F • Take 8. The first 8 seconds pre-take warm up are new, the rest of the take was already released on the Anthology 2 CDs in a different mix (inverted channels plus sounds better there than here in my opinion, John’s vocal is brighter), the rest of the song until it’s end is identical, no extra seconds after.

Session Recording:

Feb 08, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:00 • Studio version • D • Take 1

Session Recording:

Feb 09, 1967

Studio :

Regent Sound Studio, London

3:28 • Studio version • E • Speech and Take 3

Session Recording:

Feb 09, 1967

Studio :

Regent Sound Studio, London

3:08 • Studio version • G • Speech from before Take 1 ; Take 4 and speech at the end

Session Recording:

Feb 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:35 • Studio version • H • Take 7. The pre take warm up also already available on the Rockband songs but Paul’s count-in is new, it’s not the same count-in from the Anthology 2 CDs: (George Martin: “OK Man let’s go, Lights on”/Paul’s count-in and John whistling) so the count-in here or on the Anthology CDs comes from a different take but not the 7th. The other main difference is that the Anthology Version has double tracked vocal or echo attached to John’s vocal, while on this new release it’s pure, single tracked. the vocal is also centered, while on Anthology it’s on the left channel. Here, the take is complete while on the Anthology, the tape-loops at the end.

Session Recording:

Feb 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:05 • Studio version • D • Speech and take 9. Partially new although according to Mark Lewisohn, take 9 was a reduction mix from take 8 and also a backing track and vocals were added a day after giving birth to take 10 and 11, so this could not be Take 9. The speech at the intro could be from an earlier take and it’s already available (edited here) at the Rockband intros, then we can hear Paul’s count in very far away (“One, Two, Three, Four” and by the way, this same count-in intro is also available on the Rockband mixes starting from “two, three, four” ) and once the song starts he is reciting with loud and clear voice, not the same as for the count-in, so this is a vocal overdub take, but it’s actually the released vocal take. Sadly, the only difference is the lack of overdubs and the harmonies from the intro, the best is that we can hear the full ending of the song and Paul and John singing at the end when the song already ended “Oh no no, I refuse to Go”.

Session Recording:

Feb 24, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:40 • Studio version • G • Take 1 and speech at the end

Session Recording:

Mar 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

4:08 • Studio version • H • Speech, false start and Take 5

Session Recording:

Mar 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:19 • Studio version • D • Take 1 - Instrumental and speech at the end

Session Recording:

Mar 09, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:45 • Studio version • E • Take 12

Session Recording:

Mar 09, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

5:33 • Studio version • E • Take 1 - Indian instruments only

Session Recording:

Mar 15, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:56 • Studio version • F • George coaching the musicians

3:49 • Studio version • E • Take 1 - Instrumental

Session Recording:

Mar 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:48 • Studio version • F • Take 6 - Instrumental

Session Recording:

Mar 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:15 • Studio version • E • Take 1 - False start and Take 2 - Instrumental

Session Recording:

Mar 29, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:00 • Studio version • F • Speech and Take 8

Session Recording:

Apr 01, 1967

Studio :

EMI Studios, Studio One, Abbey Road

2:03 • Studio version • A • 1967 mix

Session Recording:

Feb 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Feb 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 03, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 06, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:45 • Studio version • A • 1967 mix

Session Recording:

Mar 29, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 30, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 31, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:28 • Studio version • A • 1967 mix

Session Recording:

Mar 01, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 03, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:47 • Studio version • A • 1967 mix

Session Recording:

Mar 09, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 10, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 23, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:38 • Studio version • A • 1967 mix

Session Recording:

Feb 09, 1967

Studio :

Regent Sound Studio, London

Session Recording:

Feb 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Feb 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

3:26 • Studio version • A • 1967 mix

Session Recording:

Mar 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:41 • Studio version • A • 1967 mix

Session Recording:

Feb 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

28, 29, 31 March 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 31, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

5:08 • Studio version • A • 1967 mix

Session Recording:

Mar 15, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 22, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Apr 03, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Session Mixing:

Apr 04, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:40 • Studio version • A • 1967 mix

Session Recording:

Dec 06, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

8,20,21 Dec 1966

Studio :

EMI Studios, Abbey Road

Session Mixing:

Dec 30, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

2:46 • Studio version • A • 1967 mix

Session Recording:

Feb 23, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Feb 24, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 07, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 21, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

2:34 • Studio version • A • 1967 mix

Session Recording:

Feb 08, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Feb 16, 1967

Studio :

EMI Studios, Studio Three, Abbey Road

Session Overdubs:

13, 28, 29 March 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Apr 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

1:19 • Studio version • A • 1967 mix

Session Recording:

Apr 01, 1967

Studio :

EMI Studios, Studio One, Abbey Road

Session Mixing:

Apr 01, 1967

Studio :

EMI Studios, Studio One, Abbey Road

5:23 • Studio version • A • 1967 mix

Session Recording:

Jan 19, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Jan 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

3,10,22 Feb 1967

Studio :

EMI Studios, Abbey Road

Session Mixing:

Feb 22, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

4:07 • Studio version • A • Mono • Original mono mix

Session Recording Take 7:

Nov 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording Take 26:

Dec 08, 1966

Studio :

EMI Studios, Abbey Road

Session Overdubs:

Dec 09, 15 and 21, 1966

Studio :

EMI Studios, Abbey Road

Session Mixing:

Dec 22, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

3:00 • Studio version • B • Mono • Original mono mix

Session Recording:

Dec 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Dec 30, 1966 and Jan 4, 5, 6, 9, 10, 12, 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Jan 25, 1967

Studio :

EMI Studios, Studio One, Abbey Road

4:43 • Studio version • F • First mono mix. "This is RM1 of Four Track Take..ahh.. Six" announcement  from Geoff Emerick is new.  But on bootleg we have a different announcement circulating: "Four track remix, this is Take six" and was placed together with the RM1 acetate version, so maybe that announcement on bootlegs comes from the tape reduction made to create Take 6 but not the Mono mixing?. The rest of the song is the same version on bootleg circulating from many years where Paul makes the "Oh S**t!" mistake, but here is in perfect quality.

Session Mixing:

Jan 30, 1967

Studio :

EMI Studios, Studio Three, Abbey Road

Details & description coming from The Daily Beatles

3:50 • Studio version • I • Original mono mix - No.11. From "The Daily Beatles": New- "RM 11" announcement from Emerick, it has also some pre-take sounds. The ‘lost’ version for many years.

Session Mixing:

Mar 02, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:43 • Studio version • D • First mono mix. "RM1" announcement from Emerick, Paul and John can be heard at the beginning ready to sing and then Paul’s count in. The harp at the intro has the ADT effect not featured on the final version and also the extra cello part is present here.

Session Recording:

Mar 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Recording:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Mar 20, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Details & description coming from The Daily Beatles

3:01 • Studio version • A • Mono • Capitol Records mono US Promo mix

Session Recording:

Dec 29, 1966

Studio :

EMI Studios, Studio Two, Abbey Road

Session Overdubs:

Dec 30, 1966 and Jan 4, 5, 6, 9, 10, 12, 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road

Session Mixing:

Jan 17, 1967

Studio :

EMI Studios, Studio Two, Abbey Road