- Album This song officially appears on the Please Please Me (Mono) LP.
Related sessions
This song has been recorded during the following studio sessions
"Please Please Me" album session #1
Feb 11, 1963
"Please Please Me" album session #3
Feb 25, 1963
Jun 03, 1964
Jul 20, 1987
Jam session with George Harrison and Ringo Starr
Jun 23, 1994
Rehearsals for the Olympic Games opening ceremony
July 20, 2012 till ?
Related interviews
Paul McCartney interview by Sean Lennon - John Lennon At 80
Oct 04, 2020 • From BBC Radio 2
Paul McCartney Looks Back: The Rolling Stone Interview
Aug 10, 2016 • From RollingStone
Paul and Lily Cole Discuss 'Hope For The Future'
Nov 19, 2014 • From paulmccartney.com
Paul McCartney: The Long and Winding Q&A
Jul 17, 2014 • From RollingStone
March 2012 • From MOJO
Paul McCartney Interview - The story behind the classics
Sep 09, 2009 • From Clash
Jan 01, 2005
Paul McCartney: One for the Road
Feb 08, 1990 • From RollingStone
Paul McCartney: The Rolling Stone Interview
Sep 11, 1986 • From RollingStone
Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.
Song facts
From Wikipedia:
“I Saw Her Standing There” is a song by the English rock band the Beatles written by Paul McCartney and John Lennon. It is the opening track on the band’s 1963 debut UK album Please Please Me and their debut US album Introducing… The Beatles.
In December 1963, Capitol Records released the song in the United States as the B-side on the label’s first single by the Beatles, “I Want to Hold Your Hand“. While the A-side topped the US Billboard chart for seven weeks starting 1 February 1964, “I Saw Her Standing There” entered the Billboard Hot 100 on 8 February 1964, remaining there for 11 weeks, peaking at No. 14. The song placed on the Cashbox chart for only one week at No. 100 on the same week of its Billboard debut. In 2004, “I Saw Her Standing There” was ranked No. 139 on Rolling Stone‘s list of the 500 Greatest Songs of All Time.
Composition
Originally titled “Seventeen”, the song was conceived by McCartney when driving home from a Beatles’ concert in Southport, Merseyside as a modern take on the traditional song “As I Roved Out”, a version of “Seventeen Come Sunday” that he had heard in Liverpool in 1960. According to Beatles biographer Mark Lewisohn, McCartney first worked out the chords and arrangement on an acoustic guitar at the family home of his Liverpool friend and fellow musician Rory Storm on the evening of 22 October 1962. Two days later, McCartney was writing lines for the song during a visit to London with his then-girlfriend Celia Mortimer, who was seventeen at the time herself. The song was completed about a month later at McCartney’s Forthlin Road home in collaboration with Lennon and performed as part of their set in December 1962 in the Star-Club in Hamburg.
McCartney later described in Beat Instrumental how he went about the song’s composition: “Here’s one example of a bit I pinched from someone: I used the bass riff from ‘Talkin’ About You’ by Chuck Berry in ‘I Saw Her Standing There’. I played exactly the same notes as he did and it fitted our number perfectly. Even now, when I tell people, I find few of them believe me; therefore, I maintain that a bass riff hasn’t got to be original.” Berry’s “I’m Talking About You” was performed by The Beatles and the song appears on their albums Live! at the Star-Club in Hamburg, Germany; 1962 and On Air – Live at the BBC Volume 2.
The lyrics were written in a Liverpool Institute exercise book. Remember: The Recollections and Photographs of the Beatles, a book by McCartney’s brother Mike McCartney, includes a photograph taken in the front room of his home of Lennon and McCartney writing the song while strumming their acoustic guitars and reading the exercise book. It typified how Lennon and McCartney would later work in partnership, as McCartney subsequently reflected: “I had ‘She was just seventeen,’ and then ‘never been a beauty queen’. When I showed it to John, he screamed with laughter, and said ‘You’re joking about that line, aren’t you?'” According to McCartney, “We came up with, ‘You know what I mean.’ Which was good, because you don’t know what I mean.” “It was one of the first times he ever went ‘What? Must change that …'”[attribution needed] Lennon said: “That’s Paul doing his usual good job of producing what George Martin used to call a ‘potboiler’. I helped with a couple of the lyrics.” The songwriting credit on the Please Please Me liner notes is “McCartney–Lennon” which differs from the more familiar “Lennon–McCartney” that appears on subsequent releases.
Recording
The first live recording (a slow version of the song) was made at the Cavern Club at the end of 1962. Lennon did not play rhythm guitar; he played harmonica in the introduction and during the verses. Lennon and McCartney laughed when they sang “Well we danced all night/And I held her tight/And I held her hand in mine” the second time.[better source needed]
The song was recorded at EMI Studios on 11 February 1963 and engineered by Norman Smith, as part of the marathon recording session that produced 10 of the 14 songs on Please Please Me. The Beatles were not present for the mixing session on 25 February 1963. It was not common practice for bands to be present at such sessions at that time.
On the album, the song starts with a rousing “One, two, three, four!” count-in by McCartney. Usually count-ins are edited off the final audio mix; however, record producer George Martin wanted to create the effect that the album was a live performance: “I had been up to the Cavern and I’d seen what they could do, I knew their repertoire, and I said ‘Let’s record every song you’ve got, come down to the studios and we’ll just whistle through them in a day'”. Martin took the count-in from take 9, which was considered ‘especially spirited’ and spliced it onto take 1. Music journalist Richard Williams suggested that this dramatic introduction to their debut album was just as stirring as Elvis Presley’s “Well, it’s one for the money, two for the show …” on his opening track, “Blue Suede Shoes“, for his debut album seven years earlier. It also made the point that the Beatles were a live band as, at that time, they opened their set with this song. On the first American release of the song, issued on Vee Jay Records, the count was edited out—but the “Four!” is still audible.
The full take 9 version of the song appears on the “Free as a Bird” CD single as a B side, released for the first time.
Take 2 of the song was released on The Beatles Bootleg Recordings 1963, which was an album released exclusively to iTunes in 2013. […]
Later performances by Paul McCartney
McCartney included “I Saw Her Standing There” on his live albums Tripping the Live Fantastic (1990), Back in the US (2002) and Back in the World (2003). In 1987, he recorded a new version for his album CHOBA B CCCP, but left it to outtakes. The song has become a mainstay of McCartney’s live sets, and a special version was played when McCartney and his band returned to Liverpool in June 2008. It featured special guest drummer Dave Grohl, the lead singer of the Foo Fighters and ex-drummer of Nirvana. In 2007, McCartney performed a secret gig at Amoeba Music in Hollywood – this performance appeared on the EP Amoeba’s Secret and earned him a Grammy Award for Best Solo Rock Vocal Performance nomination in 2009.
McCartney performed “I Saw Her Standing There” at the 1986 Prince’s Trust Rock Gala, as part of the 10th anniversary celebration of HRH Prince Charles’ charity. He was supported by an all-star band featuring Elton John, Eric Clapton, Phil Collins, Mark Knopfler, and Ray King. Interviewed at the time, McCartney said: “It is a good thrill playing with musicians of this calibre … since it was a birthday thing, they wanted to do something silly at the end, and that’s me”. Paul McCartney also performed a duet of this song with Billy Joel during the inaugural concert at Citi Field in Flushing, New York. […]
From The Usenet Guide to Beatles Recording Variations:
[a] mono 25 Feb 1963. edited.
UK: Parlophone PMC 1202 Please Please Me 1963.
US: Vee Jay VJLP 1062 Introducing 1963.
CD: EMI CDP 7 46435 2 Please Please Me 1987.[b] stereo 25 Feb 1963. edited.
UK: Parlophone PCS 3042 Please Please Me 1963.
US: Vee Jay VJSR 1062 Introducing 1963.[b1] stereo remixed from [b] 1963, by Capitol.
US: Capitol ST 2047 Meet the Beatles 1964.[b2] mono made from [b] 1963, by Capitol.
US: Capitol 5112 single 1964, Capitol T 2047 Meet the Beatles 1964.[b3] stereo remixed from [b] 1976.
US: Capitol SKBO-11537 Rock and Roll Music 1976.The countdown is edited in from another take (see next entry).
The original stereo [b] has a drop in volume in verse 3 near “we danced through the night” which is corrected in the remix [b3], which also has the two tracks brought slightly to center.
On the Vee Jay albums the “1 2 3” is cut off on both [a] and [b], as if the countdown were extra material to be trimmed, although the “4” remains. Does this mean Vee Jay’s entire mono LP is just a reduction of the stereo mixes, or did they just do the same trim twice? But their mono mix does not have the volume drop characteristic of the stereo mix (see above).

Last updated on January 4, 2023

The book "The Lyrics: 1956 to the Present", published in 2021, covers Paul McCartney's early Liverpool days, the Beatles, Wings, and solo careers, by pairing the lyrics of 154 of his songs with first-person commentaries of the circumstances in which they were written, the people and places that inspired them, and what he thinks of them now.
"I Saw Her Standing There" is one of the 154 songs covered.
Lyrics
1, 2, 3, 4
Well, she was just seventeen, you know what I mean
And the way she looked was way beyond compare
So how could I dance with another?
When I saw her standin' there
Well, she looked at me and I could see
That before too long I'd fall in love with her
'Cause she wouldn't dance with another
When I saw her standin' there
Well, my heart went boom when I crossed that room
And I held her hand in mine
Oh, we danced through the night and we held each other tight
And before too long I fell in love with her
Now I'll never dance with another
When I saw her standing there
Well, my heart went boom when I crossed that room
And I held her hand in mine
Oh, we danced through the night and we held each other tight
And before too long I fell in love with her
Now I'll never dance with another
Since I saw her standing there
Since I saw her standing there
Since I saw her standing there
Officially appears on
LP • Released in 1963
2:55 • Studio version • A • Mono
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Handclaps, Lead guitar
- George Martin :
- Producer
- Norman Smith :
- Recording engineer
- A.B. Lincoln :
- Second engineer
- Session Recording:
- Feb 11, 1963
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Feb 25, 1963
- Studio :
- EMI Studios, Studio One, Abbey Road
LP • Released in 1963
2:55 • Studio version • B • Stereo
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Handclaps, Lead guitar
- George Martin :
- Producer
- Norman Smith :
- Recording engineer
- A.B. Lincoln :
- Second engineer
- Session Recording:
- Feb 11, 1963
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Feb 25, 1963
- Studio :
- EMI Studios, Studio One, Abbey Road
EP • Released in 1963
2:55 • Studio version • A
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Handclaps, Lead guitar
- George Martin :
- Producer
- Norman Smith :
- Recording engineer
- A.B. Lincoln :
- Second engineer
- Session Recording:
- Feb 11, 1963
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Feb 25, 1963
- Studio :
- EMI Studios, Studio One, Abbey Road
Official album • Released in 1964
2:55 • Studio version • B2 • Mono • Mono made from [B]
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Handclaps, Lead guitar
- George Martin :
- Producer
- Norman Smith :
- Recording engineer
- A.B. Lincoln :
- Second engineer
- Session Recording:
- Feb 11, 1963
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Feb 25, 1963
- Studio :
- EMI Studios, Studio One, Abbey Road
Official album • Released in 1964
2:56 • Studio version • B1 • Stereo • Stereo remixed from [B]
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Handclaps, Lead guitar
- George Martin :
- Producer
- Norman Smith :
- Recording engineer
- A.B. Lincoln :
- Second engineer
- Session Recording:
- Feb 11, 1963
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Feb 25, 1963
- Studio :
- EMI Studios, Studio One, Abbey Road
Recorded Highlights Of The Prince's Trust 10th Anniversary Birthday Party
Official live • Released in 1987
Live • Bonus 7"
Concert From "Prince's Trust All-Star Rock Concert" in London, United Kingdom on Jun 20, 1986
Tripping the Live Fantastic: Highlights!
Official live • Released in 1990
3:25 • Live • L1
- Performed by :
- Paul McCartney • Linda McCartney • Robbie McIntosh • Hamish Stuart • Paul Wickens • Chris Whitten
- Paul McCartney :
- Producer
- Eddie Klein :
- Assistant engineer
- Matt Butler :
- Assistant engineer
- Peter Henderson :
- Producer
- Bob Clearmountain :
- Mixing engineer, Producer
- Jeff Cohen :
- Recording engineer
- Geoff Foster :
- Assistant engineer
- Scott Hull :
- Assistant engineer
- George Cowan :
- Assistant engineer
- Paul Rushbrook :
- Assistant engineer
Concert From the concert in Montreal, Canada on Dec 09, 1989
Official live • Released in 1990
3:26 • Live • L1
- Performed by :
- Paul McCartney • Linda McCartney • Robbie McIntosh • Hamish Stuart • Paul Wickens • Chris Whitten
- Paul McCartney :
- Producer
- Eddie Klein :
- Assistant engineer
- Matt Butler :
- Assistant engineer
- Peter Henderson :
- Producer
- Bob Clearmountain :
- Mixing engineer, Producer
- Jeff Cohen :
- Recording engineer
- Geoff Foster :
- Assistant engineer
- Scott Hull :
- Assistant engineer
- George Cowan :
- Assistant engineer
- Paul Rushbrook :
- Assistant engineer
Concert From the concert in Montreal, Canada on Dec 09, 1989
Bootlegs
Unofficial live
3:18 • Live
Concert From the concert in Barcelona, Spain on May 08, 1991
Unofficial live
3:25 • Live
Concert From the concert in Copenhagen, Denmark on Jul 24, 1991
Unofficial live
3:57 • Live
Concert From the concert in Toronto, Canada on Jun 06, 1993
Unofficial live
3:21 • Live
Concert From the concert in Westcliff-on-Sea, United Kingdom on Jul 19, 1991
Unofficial live
3:24 • Live
Concert From the concert in Hamburg, Germany on Oct 03, 1989
Videos
Album • Amoeba Gig
Concert • Jul 14, 2012 in London
Concert • May 09, 2015 in Winter Park
Concert • May 23, 2015 in London
Concert • Sep 15, 2017 in New York
Concert • Nov 04, 2017 in London
Concert • Sep 07, 2018 in New York
Concert • Nov 23, 2019 in Jersey City
Live performances
“I Saw Her Standing There” has been played in 458 concerts and 6 soundchecks.
Latest concerts where I Saw Her Standing There has been played
Jun 25, 2022 • United Kingdom • Pilton, Somerset • Worthy Farm

Stella McCartney's 50th anniversary birthday party
Sep 18, 2021 • United Kingdom • Cliveden House Hotel, Buckinghamshire

Nov 23, 2019 • USA • Jersey City • Hudson House
Las Vegas • T Mobile Arena • USA
Jun 29, 2019 • Part of Freshen Up Tour
Liverpool • Echo Arena • United Kingdom
Dec 12, 2018 • Part of Freshen Up Tour
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dear paul mcccartney ijust had abirthday and now iam 41 your friend andy