Wild Honey Pie

It was just a fragment of an instrumental, which we were not sure about, but Pattie [Harrison] liked it very much, so we decided to leave it on the album. The track emerged from a spontaneous sing-along in Rishikesh.

Paul McCartney – From “The Ultimate Beatles Encyclopedia”, by Bill Harry

From Wikipedia:

“Wild Honey Pie” is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the “White Album”). It was written by Paul McCartney and credited to Lennon–McCartney. Less than a minute in length, the song mainly consists of the title being chanted repeatedly and was performed by McCartney without the participation of the other Beatles. The track is often viewed as a filler track and is generally regarded as inconsequential and unmemorable due to its experimental nature.

Recording

“Wild Honey Pie” was recorded on 20 August 1968 at the end of the recording session for “Mother Nature’s Son“. Like “Mother Nature’s Son”, McCartney is the sole performer on the recording. At the time, John Lennon and Ringo Starr were working on other White Album songs, and George Harrison was on holiday in Greece. McCartney also recorded the unreleased song “Etcetera” during this session.

McCartney said of this song: “We were in an experimental mode, and so I said, ‘Can I just make something up?’ I started off with the guitar and did a multitracking experiment in the control room or maybe in the little room next door. It was very home-made; it wasn’t a big production at all. I just made up this short piece and I multitracked a harmony to that, and a harmony to that, and a harmony to that, and built it up sculpturally with a lot of vibrato on the [guitar] strings, really pulling the strings madly. Hence, ‘Wild Honey Pie’, which was a reference to the other song I had written called ‘Honey Pie‘.“

Release and reception

“Wild Honey Pie” was sequenced between “Ob-La-Di, Ob-La-Da” and “The Continuing Story of Bungalow Bill“, on side one of “the White Album”. According to McCartney, the song might have been excluded but Harrison’s wife, Pattie Boyd, “liked it very much so we decided to leave it on the album”.

In his book on the White Album, David Quantick describes “Wild Honey Pie” as a “genuinely inferior” piece that, after Lennon’s avant-garde “Revolution 9“, is among the tracks that are most commonly omitted from listeners’ single-album versions of the Beatles’ 1968 double LP. Author Mark Hertsgaard, referring to Lennon’s distaste for “Ob-La-Di, Ob-La-Da”, writes: “But at least ‘Ob-La-Di, Ob-La-Da’ had a real melody. ‘Wild Honey Pie,’ which followed it, simply assaulted the ear; it sounded like someone had taken a hammer to a giant pocket watch until the springs inside collapsed in heavy, discordant agony.” Herstgaard says it was “perhaps the most extreme case of self-indulgence on the album”. In his contemporary review of the album, Jann Wenner of Rolling Stone wrote a one-sentence summary of “Wild Honey Pie”: “[The song] makes a nice tribute to psychedelic music and allied forms.”

In 2003, Stylus Magazine ranked “Wild Honey Pie” at number 1 on its list of the “Top Ten Filler Tracks” and described the song as “the greatest piece of filler to ever clutter an over-ambitious double album”. They praised the “painfully discordant guitar” and felt the song to be “[o]ne of the most famous half-songs in history.” A “Playing God” piece by the same magazine from the following year, in which the author creates a personalised version of the track listing, included the song as the album’s opening track, saying “instead of [an] acclimation track like ‘Back in the USSR’, sound-wise at least, this version of The White Album utilizes the sproing guitar and yarbled vocals of ‘Wild Honey Pie’ as its opening salvo. It’s meant here to let the listener know that this is going to be like no Beatles album they’ve ever heard.” Coinciding with the 50th anniversary of the White Album’s release, Jacob Stolworthy of The Independent listed “Wild Honey Pie” in last place in his ranking of the album’s 30 tracks, and commented: “Thankfully one of The Beatles’ shortest songs.” […]

From The Usenet Guide to Beatles Recording Variations:

[b] mono 20 Aug 1968.
UK: Apple PMC 7067 white album 1968.

[a] stereo 13 Oct 1968.
UK: Apple PCS 7067 white album 1968.
US: Apple SWBO 101 white album 1968.
CD: EMI CDP 7 46443 2 white album 1987.

Of the two vocal tracks, one is louder in [a], the other in [b].

Much later on, at the beginning of October, the fellows recorded “Honey Pie” at Trident. This is NOT the same thing. “Wild Honey Pie” is a very short “link” track on the LP, under a minute in playing time. Paul did this more or less on his own, almost a McCartney ad-lib in fact. He sings and plays both guitar and bass drum, double-tracking the whole thing so that he finishes up sounding like a couple of singers and a quarter of guitarists!

Mal Evans – From the Beatles Monthly Book, N°64, November 1968

Lyrics

Variations

• A Stereo version • From "The Beatles (Stereo)"
• A1 Take 1 remix 6
• A2009 2009 stereo remaster • From "The Beatles • The Original Studio Recordings (2009)"
• B Mono version • From "The Beatles (Mono)"
• B2009 2009 mono remaster • From "The Beatles in Mono (2009)"
• B2014 2014 remaster • From "The Beatles In Mono (Vinyl boxset - 2014)"
• C 2018 stereo mix • From "The Beatles (50th anniversary boxset)"

Officially appears on

Bootlegs

Live performances

Paul McCartney has never played this song in concert.