The Paul McCartney Project

New (Deluxe Edition)

Timeline See what happened in 2013
Sessions This album has been recorded during the following sessions

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Track list

Disc 1


1.

Save Us

Written by Paul McCartney, Paul Epworth

2:39 • Studio versionA

Paul McCartney:
Bass, Guitar, Vocals
Paul Epworth:
Drums, Producer
Eddie Klein:
Assistant recording engineer
Kevin Mills:
Assistant mixing engineer
Sam Okell:
Recording engineer
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Matt Wiggins:
Engineer
Geoff Swan:
Assistant mixing engineer
Adam Miller:
Assistant recording engineer
John Prestage:
Assistant recording engineer
Laurence Anslow:
Assistant recording engineer
Tom Bailey:
Assistant recording engineer

Session Recording:
January 2012
Studio:
Wolf Tone Studios, London, UK & Hog Hill Mill, Rye, UK ?

Session Overdubs:
March 2012
Studio:
Wolf Tone Studios, London & AIR Studios, London

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Recording Sessions (1969-2013) on Amazon


2.

Alligator

Written by Paul McCartney

3:27 • Studio versionA

Paul McCartney:
Bass, Celeste, Glockenspiel, Guitar, Percussion, Play-me-a-song book, Synthesizer, Vocals
Rusty Anderson:
Guitar
Abe Laboriel Jr.:
Drums
Paul Wickens:
Keyboards
Brian Ray:
Guitar
Mark Ronson:
Producer
Eddie Klein:
Recording engineer (?)
Kevin Mills:
Assistant mixing engineer
Jamie Kirkham:
Recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Al O'Connell:
Recording engineer (?)
Josh Blair:
Recording engineer (?)
Robert Mallory:
Recording engineer (?)
Tyler Hartman:
Recording engineer (?)

Session Recording:
January 2012
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs:
July 2012
Studio:
Avatar Studios, New York, USA

Session Overdubs:
September 2012
Studio:
Avatar Studios, New York, USA

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


3.

On My Way To Work

Written by Paul McCartney

3:43 • Studio versionA

Paul McCartney:
Bass, Ciguitar, Drums, Guitar, Piano, Vocals
Rusty Anderson:
Guitar
Paul Wickens:
Accordion, Guitar, Piano
Brian Ray:
Guitar
Eddie Klein:
Assistant recording engineer (?)
Toby Pitman:
Programming
Cathy Thompson:
Violin
Laura Melhuish:
Violin
Patrick Kiernan:
Violin
Nina Foster:
Violin
Peter Lale:
Viola
Rachel Robson:
Viola
Caroline Dale:
Cello
Katherine Jenkinson:
Cello
Chris Worsey:
Cello
Richard Pryce:
Bass
Steve McManus:
Bass
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer (?)
Sam Okell:
Recording engineer (?)
Chris Bolster:
Assistant recording engineer (?)
Jamie Kirkham:
Assistant recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Bill Rahko:
Assistant recording engineer (?)
Nicolas Essig:
Assistant recording engineer (?)
Gordon Davidson:
Assistant recording engineer (?)
Iain Berryman:
Assistant recording engineer (?)
Seb Truman:
Assistant recording engineer (?)

Session Recording:
February - March 2013
Studio:
AIR Studios, London, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Overdubs (Strings):
July 2013
Studio:
EMI Studios, Abbey Road


4.

Queenie Eye

Written by Paul McCartney, Paul Epworth

3:48 • Studio versionA

Paul McCartney:
Bass, Guitar, Lap steel guitar, Mellotron, Moog, Piano, Producer, Synthesizer, Tambourine, Vocals
Paul Epworth:
Drums, Producer
Eddie Klein:
Assistant recording engineer
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Matt Wiggins:
Engineer
Geoff Swan:
Assistant mixing engineer
Adam Miller:
Assistant recording engineer
John Prestage:
Assistant recording engineer
Laurence Anslow:
Assistant recording engineer
Tom Bailey:
Assistant recording engineer
Bill Rahko:
Assistant recording engineer
Nicolas Essig:
Assistant recording engineer

Session Recording:
January 2012
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs:
March 2012
Studio:
AIR Studios, London, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


5.

Early Days

Written by Paul McCartney

4:08 • Studio versionA

Paul McCartney:
Acoustic guitar, Double bass, Harmonium, Knee percusion, Vocals
Rusty Anderson:
Guitar
Abe Laboriel Jr.:
Backing vocals
Brian Ray:
Dulcimer
Eddie Klein:
Assistant recording engineer
Ethan Johns:
Drums, Percussion, Producer
Giles Martin:
Additional production
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer
Sam Okell:
Recording engineer
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Bill Rahko:
Assistant recording engineer
Nicolas Essig:
Assistant recording engineer
Dom Monks:
Recording engineer

Session Recording:
January 2012
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


6.

New

Written by Paul McCartney

2:57 • Studio versionA

Paul McCartney:
Bass, Bouzouki with pencils, Conga drums, Harpsichord, Maracas, Mellotron, Piano, Vocals, Wurlitzer
Rusty Anderson:
Backing vocals, Bouzouki with pencils, Guitar
Abe Laboriel Jr.:
Backing vocals, Drums
Paul Wickens:
Backing vocals
Dave Bishop:
Baritone saxophone
Brian Ray:
Backing vocals, Guitar
Mark Ronson:
Producer
Eddie Klein:
Assistant recording engineer
Steve Sidwell:
Trumpet
Jamie Talbot:
Tenor saxophone
Giles Martin:
Additional production
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer
Sam Okell:
Recording engineer
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Josh Blair:
Recording engineer
Robert Mallory:
Recording engineer
Tyler Hartman:
Recording engineer
Bill Rahko:
Assistant recording engineer
Nicolas Essig:
Assistant recording engineer

Session Recording:
January 2012
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs:
July 2012 then September 2012
Studio:
Avatar Studios, New York, USA

Session Overdubs (Brass):
February - March 2013
Studio:
AIR Studios, London, UK

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


7.

Appreciate

Written by Paul McCartney

4:29 • Studio versionA

Paul McCartney:
Ciguitar, Drum, Guitar, Keyboards, Vocals
Rusty Anderson:
Backing vocals, Bouzouki, Guitar
Abe Laboriel Jr.:
Backing vocals, Drums
Brian Ray:
Backing vocals, Baritone guitar, Guitar
Eddie Klein:
Assistant recording engineer
Toby Pitman:
Programming
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer
Sam Okell:
Recording engineer
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Bill Rahko:
Assistant recording engineer
Nicolas Essig:
Assistant recording engineer

Recording (chorus):
Early 2013 ?
Studio:
Hog Hill Mill, Rye, UK

Session Recording:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


8.

Everybody Out There

Written by Paul McCartney

3:21 • Studio versionA

Paul McCartney:
Bass, Guitar, Keyboards, Mellotron, Piano, Vocals
Rusty Anderson:
Guitar
Abe Laboriel Jr.:
Drums
Brian Ray:
Guitar
Eddie Klein:
Recording engineer (?)
Toby Pitman:
Keyboards, Programming
Cathy Thompson:
Violin
Laura Melhuish:
Violin
Patrick Kiernan:
Violin
Nina Foster:
Violin
Peter Lale:
Viola
Rachel Robson:
Viola
Caroline Dale:
Cello
Katherine Jenkinson:
Cello
Chris Worsey:
Cello
Richard Pryce:
Bass
Steve McManus:
Bass
Giles Martin:
Foot stamp, Producer
Eliza Marshall:
Alto flute
Anna Noakes:
Alto flute
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer (?)
Chris Bolster:
Assistant recording engineer (?)
Jamie Kirkham:
Recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Adam Miller:
Assistant recording engineer (?)
John Prestage:
Assistant recording engineer (?)
Laurence Anslow:
Assistant recording engineer (?)
Tom Bailey:
Assistant recording engineer (?)
Bill Rahko:
Assistant recording engineer (?)
Nicolas Essig:
Assistant recording engineer (?)
Gordon Davidson:
Assistant recording engineer (?)
Iain Berryman:
Assistant recording engineer (?)
Seb Truman:
Assistant recording engineer (?)

Session Recording:
February - March 2013
Studio:
AIR Studios, London, UK

Session Overdubs:
February - March 2013
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs & mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Overdubs (strings):
July 2013
Studio:
EMI Studios, Abbey Road


9.

Hosanna

Written by Paul McCartney

3:30 • Studio versionA

Paul McCartney:
Bass, Guitar, Tape loops, Vocals
Ethan Johns:
Ipad tambora app, Producer
Kevin Mills:
Assistant mixing engineer
Chris Bolster:
Assistant recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Dom Monks:
Recording engineer
Gordon Davidson:
Assistant recording engineer (?)
Iain Berryman:
Assistant recording engineer (?)
Seb Truman:
Assistant recording engineer (?)

Session Recording:
January 2012
Studio:
EMI Studios, Abbey Road

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


10.

I Can Bet

Written by Paul McCartney

3:22 • Studio versionA

Paul McCartney:
Bass, Drums, Guitar, Moog, Percussion, Tape loops, Vocals, Wurlitzer
Rusty Anderson:
Guitar
Paul Wickens:
Hammond organ
Toby Pitman:
Programming
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer (?)
Sam Okell:
Recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Adam Miller:
Assistant recording engineer (?)
John Prestage:
Assistant recording engineer (?)
Laurence Anslow:
Assistant recording engineer (?)
Tom Bailey:
Assistant recording engineer (?)
Bill Rahko:
Assistant recording engineer (?)
Nicolas Essig:
Assistant recording engineer (?)

Session Recording:
February - March 2013
Studio:
AIR Studios, London, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


11.

Looking At Her

Written by Paul McCartney

3:05 • Studio versionA

Paul McCartney:
Bass, Drums, Guitar, Mellotron, Moog, Percussion, Vocals
Rusty Anderson:
Guitar
Eddie Klein:
Assistant recording engineer (?)
Toby Pitman:
Keyboards, Programming
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer, Assistant recording engineer (?)
Sam Okell:
Recording engineer (?)
Jamie Kirkham:
Assistant recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Bill Rahko:
Assistant recording engineer (?)
Nicolas Essig:
Assistant recording engineer (?)

Recording:
Early 2013 ?
Studio:
Hog Hill Mill, Rye, UK

Session Recording:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


12.

Road

Written by Paul McCartney, Paul Epworth

4:36 • Studio versionA

Paul McCartney:
Celeste, Keyboards, Percussion, Piano, Vocals
Paul Epworth:
Drums, Producer
Eddie Klein:
Assistant recording engineer
Kevin Mills:
Assistant mixing engineer
Steve Orchard:
Recording engineer (?)
Jamie Kirkham:
Assistant recording engineer
Mark 'Spike' Stent:
Mixing engineer
Matt Wiggins:
Engineer
Geoff Swan:
Assistant mixing engineer

Session Recording:
January 2012
Studio:
Hog Hill Studio, Rye, UK

Session Overdubs:
March 2012
Studio:
AIR Studios, London, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


13.

Bonus tracks


1.

Turned Out

Written by Paul McCartney

3:00 • Studio versionA

Paul McCartney:
Bass, Drums, Guitar, Keyboards, Percussion, Synthesizer, Tubular bells, Vocals
Rusty Anderson:
Guitar
Abe Laboriel Jr.:
Backing vocals, Drums
Brian Ray:
Guitar
Eddie Klein:
Assistant recording engineer (?)
Ethan Johns:
Guitar, Producer
Giles Martin:
Additional production
Kevin Mills:
Assistant mixing engineer
Chris Bolster:
Assistant recording engineer (?)
Jamie Kirkham:
Assistant recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer
Dom Monks:
Recording engineer (?)
Gordon Davidson:
Assistant recording engineer (?)
Iain Berryman:
Assistant recording engineer (?)
Seb Truman:
Assistant recording engineer (?)

Recording:
Late 2012 ?
Studio:
Hog Hill Mill, Rye, UK

Overdubs:
January - February 2013 ?
Studio:
Abbey Road Studios, London, UK

Session Recording:
April 2013
Studio:
Henson Recording Studios, Los Angeles


2.

Get Me Out of Here

Written by Paul McCartney

3:09 • Studio versionA

Paul McCartney:
Guitar, Ngoni, Vocals, Washboard and thimbles
Rusty Anderson:
Water bottle
Abe Laboriel Jr.:
Backing vocals, Bass drum, Djembe drum
Brian Ray:
Backing vocals, Conga drums
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer (?), Assistant recording engineer (?)
Sam Okell:
Recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer (?)
Adam Miller:
Assistant recording engineer (?)
John Prestage:
Assistant recording engineer (?)
Laurence Anslow:
Assistant recording engineer (?)
Tom Bailey:
Assistant recording engineer (?)
Bill Rahko:
Assistant recording engineer (?)
Nicolas Essig:
Assistant recording engineer (?)

Session Recording:
February - March 2013
Studio:
AIR Studios, London, UK

Session Overdubs:
April 2013
Studio:
Henson Recording Studios, Los Angeles

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles


14.

Hidden track


1.

Scared

Written by Paul McCartney

2:47 • Studio versionA • Hidden track

Paul McCartney:
Piano, Vocals
Giles Martin:
Producer
Kevin Mills:
Assistant mixing engineer (?)
Sam Okell:
Recording engineer (?)
Mark 'Spike' Stent:
Mixing engineer
Geoff Swan:
Assistant mixing engineer (?)
Adam Miller:
Assistant recording engineer (?)
John Prestage:
Assistant recording engineer (?)
Laurence Anslow:
Assistant recording engineer (?)
Tom Bailey:
Assistant recording engineer (?)

Session Recording:
February - March 2013
Studio:
AIR Studios, London, UK

Session Mixing:
April 2013
Studio:
Henson Recording Studios, Los Angeles

About

From the liner notes of the album, notes from Paul:

Dear you, sorry I didn’t get back sooner. Been busy. New songs needed to be recorded. Some came after dropping off my youngest daughter at school. With a cup of tea in one hand and a guitar in the other I would delve into the black hole of music, and a few hours later, greet the arrival of a new song. Some came as late night inspirations when I played my dad’s old piano, which he had bought from Brian Epstein’s dad’s shop in Liverpool. Others emerged in the recording studio over improvised instrumental layers–hot off the skillet. A couple of them arrived as I was sitting around on holiday, strumming in the cool air conditioned room as the sun beat down outside. Once I had the songs I started to wonder who to do them with. I looked around for producers whose work I admired, and arranged to meet them, the idea being that one of them would stick out, and we would do the rest of the songs together. In fact, I enjoyed working with all of them for various reasons, and ended up with four producers. My only worry was that the recordings might not fit together, but I realised that not only would the fact that I was singing hold them together but the tracks of Beatle albums were often extremely different from each other that worked ok! First, I met up with Paul Epworth, whose studio at that time was above a shop on a London street. He told me that he already had an idea which he thought we could improvise on. He looked at one of the guitars in the studio and said: “I wonder what secrets that guitar is holding for us to find?” I started banging out something on the piano while Paul sat in on the drum kit. The guitar gave up a riff and pretty soon we had the beginnings of the opening track “Save Us”. We went on to record ‘Queenie Eye’ which I had based on the refrain from a traditional street game that I played as a kid in Liverpool. Another day we used a similar technique to come with ‘Road’. Next I hooked up with Ethan Johns, the song of my friend Glyn Johns, who I had worked with on Beatles and Wings recordings. Ethan, a full bearded Glastonbury man was easy to get along with and I got a feeling that his style suited my more acoustic songs. We went to Abbey Road Studios and fairly swiftly put down a take of ‘Hosanna’. Later, in my studio in Sussex, we recorded ‘Early Days’ a song based on my reminiscences of formative times with John before The Beatles, when we were first starting out. It was good to work with young producers whose approaches were so different. Their aims were the same but the variety of their work methods kept the recordings fresh and energetic. Together we finished more tracks than appear on the album. They will, no doubt, show up somewhere sooner or later. Mark Ronson, a snappy dresser and great producer, was someone I knew as a friend, but had never worked with. He had DJ’d at Nancy’s and my wedding. He kept us bopping til the early hours of the morning, so I already liked his vibe, and of course, I knew and loved his recordings with Amy Winehouse and others. We met up at my Sussex studio and started with a song that I wrote that morning in anticipation of our first session together. We went on to record ‘New’ and ‘Alligator’, then finished them off in New York’s Avatar Studios. Like the other producers I worked with the energy in the studio was strong and exceedingly enjoyable. As the son of George Martin, our great Beatles’ producer Giles Martin was someone I was already pretty familiar with. I had known him since he was a ‘twinkle in the eye’ and watched him grow up, seeing him emerge as someone who did a lot of the hard graft on The Beatles’ Love album. We worked together on music for the Olympic games, and had recorded a song for the upcoming Bungie video game. I asked him if he would like to work on some of my new songs. He agreed, so we went into Air Lyndhurst Studios in North London and laid down ‘On My Way To Work’, ‘Everybody Out There’ and ‘I Can Bet’. Next we took all the tracks out to Los Angeles where we had two rooms at Henson Studios and made final mixes of everything watched over at the front gate by Kermit the Frog. In one room Mark ‘Spike’ Stent was set up to mix the tracks. We were along the corridor in another studio, making sure the music was totally ready for Spike to mix. As soon as we were happy with the track we would take it to the mix room to be cooked. After we had listened to what Spike had done and made any necessary tweaks we returned to the other room and finished another song. Sometimes, in the case ‘Appreciate’ and ‘Looking At Her’ we would write and record new offerings for Spike’s oven to bake. The buzz was intense and that period had an atmosphere to it that was positively electric. Then came the phase when a lot of hard decisions had to be made. What to include and what to leave off the album. What order the tracks would run in. Our management team now knew what we had decided. When we had everything in place, the recordings went off to Sterling Sound in New York to be mastered for your delight. We put a lot of energy and effort into making this album. Hard work? No, not at all. We don’t work music, we play it! Cheers to you. Love, Paul.

PaulMcCartney_GeneralPress_1_credit_2013MaryMcCartney
(photo: Mary McCartney)
PaulMcCartney_GeneralPress_4_credit_MPLMaryMcCartney
(photo: Mary McCartney)

Last updated on May 27, 2019


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