Release year : 2016
Anthology 1 (2016 remaster)
By The Beatles • Official album (streaming) • Part of the collection “The Beatles • Post break-up albums”
Last updated on July 22, 2023
Release year : 2016
By The Beatles • Official album (streaming) • Part of the collection “The Beatles • Post break-up albums”
Last updated on July 22, 2023
This album was recorded during the following studio sessions:
Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison
4:25 • Studio version • A2016
Paul McCartney : Acoustic guitar, Bass, Keyboards, Piano, Producer, Vocals Ringo Starr : Drums, Producer, Vocals John Lennon : Piano, Producer, Vocals Jeff Lynne : Guitar, Harmony vocals, Producer George Harrison : Acoustic guitar, Electric slide guitar, Producer, Ukulele, Vocals
Recording : Circa 1977 • Studio : New York
SessionRecording : February / March 1994 • Studio : Hog Hill Studio, Rye, UK
"We Were Four Guys... That's All"
0:13 • Interview • 2016 • John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City.
Written by Buddy Holly, Jerry Allison
2:08 • Studio version • A2016
Paul McCartney : Backing vocals, Guitar John Lennon : Guitar, Vocals George Harrison : Guitar John 'Duff' Lowe : Piano Colin Hanton : Drums
SessionRecording : Jul 12, 1958 • Studio : Phillips Sound Recording Service
Written by Paul McCartney, George Harrison
2:45 • Studio version • A2016
Paul McCartney : Backing vocals, Guitar John Lennon : Guitar, Vocals George Harrison : Backing vocals, Guitar Percy F Phillips : Recording engineer John 'Duff' Lowe : Piano Colin Hanton : Drums
SessionRecording : Jul 12, 1958 • Studio : Phillips Sound Recording Service
"Sometimes I'd Borrow... Those Still Exist"
0:18 • Interview • 2016 • Paul McCartney speaking to Mark Lewishon, 3 November 1994, London.
Written by Ray Charles
1:13 • Demo • B1.2016
Paul McCartney : Guitar, Vocals John Lennon : Guitar George Harrison : Guitar Stuart Sutcliffe : Bass
SessionRecording : Circa July 1960 • Studio : 20 Forthlin Road, Liverpool (Paul's House)
1:39 • Demo • A1.2016
Paul McCartney : Guitar, Vocals John Lennon : Guitar, Vocals George Harrison : Guitar Stuart Sutcliffe : Bass
SessionRecording : Circa July 1960 • Studio : Paul McCartney's Childhood Home - 20 Forthlin
Written by Paul McCartney
1:14 • Demo • B2016
Paul McCartney : Guitar John Lennon : Guitar George Harrison : Guitar Stuart Sutcliffe : Bass
SessionRecording : circa April 1960 • Studio : Paul's House Forthlin Road Liverpool
"First of All... It Didn't Do a Thing Here"
0:07 • Interview • 2016 • Paul McCartney speaking to Malcolm Threadgill during a hospital radio interview with the Beatles mainly conducted by Monty Lister. Recorded 27 October 1962 backstage at Hulme Hall, Port Sunlight, Cheshire.
Written by Traditional
2:42 • Studio version • A5.2016
Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Backing vocals, Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer Tony Sheridan : Lead guitar, Vocals
SessionRecording : Jun 22, 1961 • Studio : Friedrich-Ebert-Halle
Written by Milton Ager, Jack Yellen
2:13 • Outtake • A2016
Paul McCartney : Bass John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer
SessionRecording : Jun 24, 1961 • Studio : Studio Rahlstedt, Wandsbek, Hamburg
Written by John Lennon, George Harrison
2:22 • Outtake • A2016
Paul McCartney : Bass John Lennon : Rhythm guitar George Harrison : Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer
SessionRecording : June 22nd-23rd 1961 • Studio : Friedrich-Ebert-Halle
"Brian Was a Beautiful Guy... He Presented Us Well"
0:10 • Interview • 2016 • John Lennon speaking to David Wigg of the [London] Daily Express and BBC Radio 1 programme Scene And Heard (broadcast November 1971). Interview recorded October 1971 in New York City.
"I Secured Them... A Beatle Drink Even Then"
0:19 • Interview • 2016 • Brian Epstein reading an extract from his autobiography A Cellarful Of Noise. He intended to record enough material for an album but the sessions were not completed and the tapes have remained unheard until now.
Written by Jerry Leiber, Mike Stoller
3:00 • Studio rehearsal • A2016
Paul McCartney : Bass, Vocals John Lennon : Backing vocals, Rhythm guitar George Harrison : Backing vocals, Lead guitar Pete Best : Drums Mike Smith : Producer
SessionRecording : Jan 01, 1962 • Studio : Decca Studios
Written by Jerry Leiber, Mike Stoller
2:25 • Studio rehearsal • A2016
Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Lead guitar, Vocals Pete Best : Drums Mike Smith : Producer
SessionRecording : Jan 01, 1962 • Studio : Decca Studios
Written by Ted Snyder, Harry B. Smith, Francis Wheeler
1:43 • Studio rehearsal • A2016
Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Lead guitar, Vocals Pete Best : Drums Mike Smith : Producer
SessionRecording : Jan 01, 1962 • Studio : Decca Studios
2:36 • Studio rehearsal • B2016
Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar Pete Best : Drums Mike Smith : Producer
SessionRecording : Jan 01, 1962 • Studio : Decca Studios
1:40 • Studio rehearsal • B2016
Paul McCartney : Bass, Harmony vocals John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Pete Best : Drums Mike Smith : Producer
SessionRecording : Jan 01, 1962 • Studio : Decca Studios
"Well, The Recording Test... By My Artists"
0:32 • Interview • 2016
Written by Consuelo Velázquez
2:37 • Studio rehearsal • A2016
Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer
SessionRecording : Jun 06, 1962 • Studio : EMI Studios, Studio Two, Abbey Road
2:32 • Studio rehearsal • C2016
Paul McCartney : Bass, Vocals John Lennon : Acoustic rhythm guitar, Harmonica, Vocals George Harrison : Acoustic rhythm guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer
SessionRecording : Jun 06, 1962 • Studio : EMI Studios, Studio Two, Abbey Road
Written by Mitch Murray
1:57 • Outtake • A2016
Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Backing vocals, Lead guitar George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Sep 04, 1962 • Studio : EMI Studios, Studio Two, Abbey Road
1:59 • Outtake • C2016 • Earliest available take.
Paul McCartney : Bass, Harmony vocals Ringo Starr : Drums John Lennon : Harmonica, Lead vocals, Rhythm guitar George Harrison : Harmony vocals, Lead guitar George Martin : Producer Norman Smith : Recording engineer Andy White : Drums
SessionRecording : Sep 11, 1962 • Studio : EMI Studios, Studio Two, Abbey Road
2:23 • Outtake • B2016 • Sequence, takes 3, 4 and the beginning of take 5
Paul McCartney : Bass, Lead vocals Ringo Starr : Drums John Lennon : Acoustic guitar, Lead vocals George Harrison : Electric guitar George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Mar 05, 1963 • Studio : EMI Studios, Studio Two, Abbey Road
2:56 • Outtake • C2016 • Complete, takes 4 and 5
Paul McCartney : Bass, Lead vocals Ringo Starr : Drums John Lennon : Acoustic guitar, Lead vocals George Harrison : Electric guitar George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Mar 05, 1963 • Studio : EMI Studios, Studio Two, Abbey Road
Written by Kay Twomey, Fred Wise, Ben Weisman
1:50 • Radio show • L1.2016
Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Terry Henebery : Producer
Concert From "Pop Go The Beatles" in London, UK on Jul 16, 1963
2:08 • Live • L1.2016
Concert From "Sunday Night At The London Palladium" in London, UK on Oct 13, 1963
We Were Performers... In Britain (interview)
0:12 • Interview • 2016
2:49 • Live • L3.2016
Klas Burling : Producer Hans Westman : Recording engineer
Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963
2:06 • Live • L1.2016
Klas Burling : Producer Hans Westman : Recording engineer
Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963
Written by Janie Bradford, Berry Gordy
2:52 • Live • L1.2016
Klas Burling : Producer Hans Westman : Recording engineer
Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963
Written by Smokey Robinson
2:58 • Live • L2.2016
Klas Burling : Producer Hans Westman : Recording engineer
Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963
Written by Chuck Berry
2:22 • Live • L3.2016
Klas Burling : Producer Hans Westman : Recording engineer
Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963
2:50 • Live • L2.2016
Concert From "Royal Command Performance" in London, UK on Nov 04, 1963
Written by Meredith Willson
2:54 • Live • L2.2016
Concert From "Royal Command Performance" in London, UK on Nov 04, 1963
Written by Phil Medley, Bert Russell
3:05 • Live • L2.2016
Concert From "Royal Command Performance" in London, UK on Nov 04, 1963
2:22 • Live • L1.2016
Concert From "The Morecambe And Wise Show" in Borehamwood, UK on Apr 18, 1964
2:37 • Live • L1.2016
Concert From "The Morecambe And Wise Show" in Borehamwood, UK on Apr 18, 1964
Boys, What Was I Thinking...
2:06 • Outtake • 2016
Concert From "The Morecambe And Wise Show" in Borehamwood, UK on Apr 18, 1964
Written by Edward Madden, Percy Wenrich
0:50 • Live • L1.2016
Paul McCartney : Vocals Ringo Starr : Drums John Lennon : Vocals George Harrison : Vocals Terry Henebery : Producer Eric Morecambe : Vocals Ernie Wise : Vocals Kenny Powell : Piano
Concert From "The Morecambe And Wise Show" in Borehamwood, UK on Apr 18, 1964
2:10 • Outtake • C2016 • Takes 1 and 2. [...] the previously unreleased Paris recording of Can't Buy Me Love presented here, all vocals and instruments live, is Take 2 (with the main guitar solo "flown in" from Take 1). Paul's vocal style was more bluesy in these first two rough takes - though it should be recognised that he was not attempting a definitive vocal track - while John and George's backing vocal idea was later dispensed with too.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Jan 29, 1964 • Studio : EMI Pathé Marconi Studios, Boulogne-sur-Seine, France
2:19 • Outtake • L4.2016
Concert From "The Ed Sullivan Show" in New York City, USA on Feb 09, 1964
2:42 • Outtake • D2016 • Take 6. The recording featured the combined sound of John Lennon's lead and George Harrison's 12-string guitars - George acquired the instrument in America, and its sound was prevalent throughout there sessions. The master version was Take 9 but the one presented here is Take 6: an attempt at perfecting the basic track while John delivered a guide vocal. It was usual for the Beatles to record with a live (if only guide) vocal until around the time of Revolver in 1966.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Feb 25, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
1:52 • Outtake • E2016 • Take 2. And I Love Her is admired and enjoyed as one of Paul McCartney's earliest and warmest ballads, the master recording being the second take of a second remake, from 27 February 1964. Two days earlier, when the Beatles first taped the song, the approach was different. Presented here is the unreleased Take 2 - the first complete run-through - which is not so gentle, featuring the full-group sound of guitars, drums and, unusually, a picked electric guitar.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Feb 25, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
2:44 • Outtake • E2016 • Take 1. [...] Presented here, however, is the previously unreleased first recorded run-though, Take 1, with numerous vocal and instrumental variations from the master. The crashing guitar chord that distinguished that master version is already in place, but the bridge, later plugged by a piano played by George Martin, was filled here by a guitar solo. The Beatles recognised that Take 1 was never going to be the best take, hence the laughter as the recording began to dissolve, but it captures the essence of the productive yet fun sessions that were typical of this period.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Apr 16, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
1:48 • Outtake • L2.2016
Terry Johnson : Recording engineer Jack Good : Producer
SessionRecording : Apr 19, 1964 • Studio : IBC Studios, London, UK
Written by Richard Penniman / Little Richard, Enotris Johnson, Robert Blackwell
1:45 • Outtake • L4.2016
Terry Johnson : Recording engineer Jack Good : Producer
SessionRecording : Apr 19, 1964 • Studio : IBC Studios, London, UK
Written by Luther Dixon, Wes Farrell
1:50 • Outtake • L2.2016
Terry Johnson : Recording engineer Jack Good : Producer
SessionRecording : Apr 19, 1964 • Studio : IBC Studios, London, UK
Written by O'Kelly Isley, Jr., Rudolph Isley, Ronald Isley
1:31 • Live • L1.2016
Paul McCartney : Bass, Vocals Ringo Starr : Drums, Vocals John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar, Vocals Terry Johnson : Recording engineer Jack Good : Producer
SessionRecording : Apr 19, 1964 • Studio : IBC Studios, London, UK
1:13 • Outtake • D2016 • Take 2. I'll Be Back was recorded from start to finish in a single session. Take 16 was released but the unissued takes Two and Three are presented here. The former illuminates how John conceived his song as a waltz (the Beatles' fondness for waltz arrangement dated back to Cavern Club performances of James Ray's If You Gotta Make A Fool Of Somebody). Take 2 broke down, however, because, to use John's own words, it was "too hard to sing", and it is segued here into Take 3 [...]
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Jun 01, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
1:58 • Outtake • E2016 • Take 3. [...] Take 3 in which the arrangement has been altered from 3/4 to the 4/4 tempo approaching the master version - proof of the speed with which the Beatles could switch their ideas.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Jun 01, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
Written by George Harrison
1:59 • Demo • A2016
Paul McCartney : Bass John Lennon : Tambourine George Harrison : Rhythm guitar, Vocals George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Jun 03, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
1:46 • Demo • C2016 • [...] this 3 June demo recording of the song certainly has not been heard before. It was announced at the time that John was giving No Reply to Tommy Quickly, another of Brian Epstein's artists, and - as John sings it in a staccato, jaunty style more typical of Quickly's than his own - it's feasible that this demo was recorded with that donation in mind. (All the same, if he recorded it all, quickly never issued his version.) Intriguingly, a drummer is evident, even though no recognised player - neither Ringo nor Jimmy Nicol - was present.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Jun 03, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
Written by Roy Lee Johnson
2:48 • Outtake • C2016 • Takes 1 and 4. The version on Beatles For Sale was a remake, taped at EMI on 18 October, but four unreleased takes were recorded on 14 August, and a combination of One and Four is presented here. The first broke down after John's laudable attempt at the shouted introduction. "Nearly!" commented Paul, a wry smile in his voice, as he encouraged his band mate to have another crack at it. Take 4, only the second complete run-through, lacked the organ track that distinguished the October remake, but George's guitar solo in the bridge proves that experimentation with new and different sounds was now a definite quest.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Aug 14, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
Written by Little Willie John, James McDougal, Titus Turner
2:57 • Outtake • A2016 • Take 5. It was at ten o'clock, when Abbey Road regulations stated that sessions were supposed to end, that the Beatles began Leave My Kitten Alone. This had been a 1959 R&B hit for Little Willie John, covered in 1960 by Johnny Preston, both versions entering the Billboard US Hot 100 in January 1961. The Beatles taped five takes of Leave My Kitten Alone before deciding that the last was the best and so adding overdubs ... but that's where they left it. The recording was never mixed down for release on Beatles For Sale and was destined to remain unissued for more than 30 years - until now.
Paul McCartney : Bass, Piano Ringo Starr : Drums, Tambourine John Lennon : Vocals George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Aug 14, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
2:29 • Outtake • D2016 • Take 2. Almost four months after the song had been recorded in demo form, the Beatles returned to No Reply and taped a definitive version, Take 8, for Beatles For Sale. Presented here, as balance engineer Norman Smith announced, is Take 2, unreleased, which underlines the more dramatic, bluesy style that John perhaps meant for his song. Laughter ensured that this particular take could not have been used, but it was clearly an important stepping-stone to the master version, John concluding "Well, we just found out what to do, anyway - it's good!"
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Sep 30, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
1:25 • Outtake • C2016 • Take 1, 2 and 4. Proven by the original session tape, the Beatles used Abbey Road as a creative workshop during the recording of Eight Days A Week. A sequence of unreleased, incomplete outtakes - takes 1, 2 and 4 - have been assembled for this compilation, illustrating the different approaches the Beatles considered for the song's intro.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Oct 06, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
2:48 • Outtake • D2016 • Take 5, complete, features a vocal harmony ending, whereas the master version (Take 13) started and finished with guitar.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Oct 06, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
Medley
Written by Jerry Leiber, Mike Stoller
2:44 • Outtake • D2016 • Take 2. Medley with "Hey-Hey-Hey-Hey". With Paul singing lead vocal, the Beatles captured the song in two takes - the master, on Beatles For Sale, was Take 1; Take 2 is issued here for the first time.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Oct 18, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
Written by Richard Penniman / Little Richard
2:44 • Outtake • C2016 • Take 2. Medley with "Kansas City". With Paul singing lead vocal, the Beatles captured the song in two takes - the master, on Beatles For Sale, was Take 1; Take 2 is issued here for the first time.
George Martin : Producer Norman Smith : Recording engineer
SessionRecording : Oct 18, 1964 • Studio : EMI Studios, Studio Two, Abbey Road
From Beatles Remastered ‘Anthology’ Albums Debut On All Streaming Services | Billboard, April 4, 2016:
We had to wait until last Christmas to hear the Beatles’ studio albums on streaming services. On Monday morning (Apr. 4) at 12:01 a.m., the Fab Four went all in, offering remastered version of their Anthology albums on all major services.
Anthology, Volumes 1-3, which were originally released in two-disc sets in 1995 and 1996, included rare and previously unreleased recordings, plus studio outtakes, alternate versions and singles “Free as a Bird” and “Real Love.” Upon their original release, the collections went multi-platinum in several countries and “Free as a Bird” (completed by George Harrison, Paul McCartney and Ringo Starr from 1977 demos recorded by John Lennon) was the Beatles’ 34th top 10 hit in the U.S.
All three volumes were remastered at Abbey Road Studios by the same group of engineers who worked on the band’s Grammy-winning 2009 studio album remasters. The tracks can be heard on major international services including Apple Music, Deezer, Google Play, Microsoft Groove, Prime Music, Rhapsody, Slacker Radio, Spotify and Tidal, as well as dozens of local streaming partners around the world.
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