Timeline Albums, EPs & singles Songs Films Concerts Sessions People Interviews Articles

Release year : 2016

Anthology 1 (2016 remaster)

By The BeatlesOfficial album (streaming) • Part of the collection “The Beatles • Post break-up albums

Last updated on July 22, 2023


Master album

Related albums

Related sessions

This album was recorded during the following studio sessions:

Track list

Hide track details

Disc 1

  1. Free as a Bird

    Written by Paul McCartney, Ringo Starr, John Lennon, George Harrison

    4:25 • Studio versionA2016

    Paul McCartney : Acoustic guitar, Bass, Keyboards, Piano, Producer, Vocals Ringo Starr : Drums, Producer, Vocals John Lennon : Piano, Producer, Vocals Jeff Lynne : Guitar, Harmony vocals, Producer George Harrison : Acoustic guitar, Electric slide guitar, Producer, Ukulele, Vocals

    Recording : Circa 1977 • Studio : New York

    SessionRecording : February / March 1994Studio : Hog Hill Studio, Rye, UK

  2. "We Were Four Guys... That's All"

    0:13 • Interview2016 • John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City.

  3. That'll Be the Day

    Written by Buddy Holly, Jerry Allison

    2:08 • Studio versionA2016

    Paul McCartney : Backing vocals, Guitar John Lennon : Guitar, Vocals George Harrison : Guitar John 'Duff' Lowe : Piano Colin Hanton : Drums

    SessionRecording : Jul 12, 1958Studio : Phillips Sound Recording Service

  4. In Spite of All the Danger

    Written by Paul McCartney, George Harrison

    2:45 • Studio versionA2016

    Paul McCartney : Backing vocals, Guitar John Lennon : Guitar, Vocals George Harrison : Backing vocals, Guitar Percy F Phillips : Recording engineer John 'Duff' Lowe : Piano Colin Hanton : Drums

    SessionRecording : Jul 12, 1958Studio : Phillips Sound Recording Service

  5. "Sometimes I'd Borrow... Those Still Exist"

    0:18 • Interview2016 • Paul McCartney speaking to Mark Lewishon, 3 November 1994, London.

  6. Hallelujah, I Love Her So

    Written by Ray Charles

    1:13 • DemoB1.2016

    Paul McCartney : Guitar, Vocals John Lennon : Guitar George Harrison : Guitar Stuart Sutcliffe : Bass

    SessionRecording : Circa July 1960Studio : 20 Forthlin Road, Liverpool (Paul's House)

  7. You'll Be Mine

    Written by Lennon - McCartney

    1:39 • DemoA1.2016

    Paul McCartney : Guitar, Vocals John Lennon : Guitar, Vocals George Harrison : Guitar Stuart Sutcliffe : Bass

    SessionRecording : Circa July 1960Studio : Paul McCartney's Childhood Home - 20 Forthlin

  8. Cayenne

    Written by Paul McCartney

    1:14 • DemoB2016

    Paul McCartney : Guitar John Lennon : Guitar George Harrison : Guitar Stuart Sutcliffe : Bass

    SessionRecording : circa April 1960Studio : Paul's House Forthlin Road Liverpool

  9. "First of All... It Didn't Do a Thing Here"

    0:07 • Interview2016 • Paul McCartney speaking to Malcolm Threadgill during a hospital radio interview with the Beatles mainly conducted by Monty Lister. Recorded 27 October 1962 backstage at Hulme Hall, Port Sunlight, Cheshire.

  10. My Bonnie

    Written by Traditional

    2:42 • Studio versionA5.2016

    Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Backing vocals, Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer Tony Sheridan : Lead guitar, Vocals

    SessionRecording : Jun 22, 1961Studio : Friedrich-Ebert-Halle

  11. Ain't She Sweet

    Written by Milton Ager, Jack Yellen

    2:13 • OuttakeA2016

    Paul McCartney : Bass John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer

    SessionRecording : Jun 24, 1961Studio : Studio Rahlstedt, Wandsbek, Hamburg

  12. Cry for a Shadow

    Written by John Lennon, George Harrison

    2:22 • OuttakeA2016

    Paul McCartney : Bass John Lennon : Rhythm guitar George Harrison : Lead guitar Pete Best : Drums Bert Kaempfert : Producer Karl Hinze : Recording engineer

    SessionRecording : June 22nd-23rd 1961Studio : Friedrich-Ebert-Halle

  13. "Brian Was a Beautiful Guy... He Presented Us Well"

    0:10 • Interview2016 • John Lennon speaking to David Wigg of the [London] Daily Express and BBC Radio 1 programme Scene And Heard (broadcast November 1971). Interview recorded October 1971 in New York City.

  14. "I Secured Them... A Beatle Drink Even Then"

    0:19 • Interview2016 • Brian Epstein reading an extract from his autobiography A Cellarful Of Noise. He intended to record enough material for an album but the sessions were not completed and the tapes have remained unheard until now.

  15. Searchin'

    Written by Jerry Leiber, Mike Stoller

    3:00 • Studio rehearsalA2016

    Paul McCartney : Bass, Vocals John Lennon : Backing vocals, Rhythm guitar George Harrison : Backing vocals, Lead guitar Pete Best : Drums Mike Smith : Producer

    SessionRecording : Jan 01, 1962Studio : Decca Studios

  16. Three Cool Cats

    Written by Jerry Leiber, Mike Stoller

    2:25 • Studio rehearsalA2016

    Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Lead guitar, Vocals Pete Best : Drums Mike Smith : Producer

    SessionRecording : Jan 01, 1962Studio : Decca Studios

  17. The Sheik of Araby

    Written by Ted Snyder, Harry B. Smith, Francis Wheeler

    1:43 • Studio rehearsalA2016

    Paul McCartney : Backing vocals, Bass John Lennon : Backing vocals, Rhythm guitar George Harrison : Lead guitar, Vocals Pete Best : Drums Mike Smith : Producer

    SessionRecording : Jan 01, 1962Studio : Decca Studios

  18. Like Dreamers Do

    Written by Lennon - McCartney

    2:36 • Studio rehearsalB2016

    Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar Pete Best : Drums Mike Smith : Producer

    SessionRecording : Jan 01, 1962Studio : Decca Studios

  19. Hello Little Girl

    Written by Lennon - McCartney

    1:40 • Studio rehearsalB2016

    Paul McCartney : Bass, Harmony vocals John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Pete Best : Drums Mike Smith : Producer

    SessionRecording : Jan 01, 1962Studio : Decca Studios

  20. "Well, The Recording Test... By My Artists"

    0:32 • Interview2016

  21. Besame Mucho

    Written by Consuelo Velázquez

    2:37 • Studio rehearsalA2016

    Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer

    SessionRecording : Jun 06, 1962Studio : EMI Studios, Studio Two, Abbey Road

  22. Love Me Do

    Written by Lennon - McCartney

    2:32 • Studio rehearsalC2016

    Paul McCartney : Bass, Vocals John Lennon : Acoustic rhythm guitar, Harmonica, Vocals George Harrison : Acoustic rhythm guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer

    SessionRecording : Jun 06, 1962Studio : EMI Studios, Studio Two, Abbey Road

  23. How Do You Do It?

    Written by Mitch Murray

    1:57 • OuttakeA2016

    Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Backing vocals, Lead guitar George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Sep 04, 1962Studio : EMI Studios, Studio Two, Abbey Road

  24. Please Please Me

    Written by Lennon - McCartney

    1:59 • OuttakeC2016 • Earliest available take.

    Paul McCartney : Bass, Harmony vocals Ringo Starr : Drums John Lennon : Harmonica, Lead vocals, Rhythm guitar George Harrison : Harmony vocals, Lead guitar George Martin : Producer Norman Smith : Recording engineer Andy White : Drums

    SessionRecording : Sep 11, 1962Studio : EMI Studios, Studio Two, Abbey Road

  25. One After 909

    Written by Lennon - McCartney

    2:23 • OuttakeB2016 • Sequence, takes 3, 4 and the beginning of take 5

    Paul McCartney : Bass, Lead vocals Ringo Starr : Drums John Lennon : Acoustic guitar, Lead vocals George Harrison : Electric guitar George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Mar 05, 1963Studio : EMI Studios, Studio Two, Abbey Road

  26. One After 909

    Written by Lennon - McCartney

    2:56 • OuttakeC2016 • Complete, takes 4 and 5

    Paul McCartney : Bass, Lead vocals Ringo Starr : Drums John Lennon : Acoustic guitar, Lead vocals George Harrison : Electric guitar George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Mar 05, 1963Studio : EMI Studios, Studio Two, Abbey Road

  27. Lend Me Your Comb

    Written by Kay Twomey, Fred Wise, Ben Weisman

    1:50 • Radio showL1.2016

    Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Terry Henebery : Producer

    Concert From "Pop Go The Beatles" in London, UK on Jul 16, 1963

  28. We Were Performers... In Britain (interview)

    0:12 • Interview2016

  29. I Saw Her Standing There

    Written by Lennon - McCartney

    2:49 • LiveL3.2016

    Klas Burling : Producer Hans Westman : Recording engineer

    Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963

  30. From Me to You

    Written by Lennon - McCartney

    2:06 • LiveL1.2016

    Klas Burling : Producer Hans Westman : Recording engineer

    Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963

  31. Roll Over Beethoven

    Written by Chuck Berry

    2:22 • LiveL3.2016

    Klas Burling : Producer Hans Westman : Recording engineer

    Concert From "Pop '63" in Stockholm, Sweden on Oct 24, 1963

Disc 2

  1. Boys, What Was I Thinking...

  2. Can't Buy Me Love

    Written by Lennon - McCartney

    2:10 • OuttakeC2016 • Takes 1 and 2. [...] the previously unreleased Paris recording of Can't Buy Me Love presented here, all vocals and instruments live, is Take 2 (with the main guitar solo "flown in" from Take 1). Paul's vocal style was more bluesy in these first two rough takes - though it should be recognised that he was not attempting a definitive vocal track - while John and George's backing vocal idea was later dispensed with too.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Jan 29, 1964Studio : EMI Pathé Marconi Studios, Boulogne-sur-Seine, France

  3. You Can't Do That

    Written by Lennon - McCartney

    2:42 • OuttakeD2016 • Take 6. The recording featured the combined sound of John Lennon's lead and George Harrison's 12-string guitars - George acquired the instrument in America, and its sound was prevalent throughout there sessions. The master version was Take 9 but the one presented here is Take 6: an attempt at perfecting the basic track while John delivered a guide vocal. It was usual for the Beatles to record with a live (if only guide) vocal until around the time of Revolver in 1966.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Feb 25, 1964Studio : EMI Studios, Studio Two, Abbey Road

  4. And I Love Her

    Written by Lennon - McCartney

    1:52 • OuttakeE2016 • Take 2. And I Love Her is admired and enjoyed as one of Paul McCartney's earliest and warmest ballads, the master recording being the second take of a second remake, from 27 February 1964. Two days earlier, when the Beatles first taped the song, the approach was different. Presented here is the unreleased Take 2 - the first complete run-through - which is not so gentle, featuring the full-group sound of guitars, drums and, unusually, a picked electric guitar.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Feb 25, 1964Studio : EMI Studios, Studio Two, Abbey Road

  5. A Hard Day's Night

    Written by Lennon - McCartney

    2:44 • OuttakeE2016 • Take 1. [...] Presented here, however, is the previously unreleased first recorded run-though, Take 1, with numerous vocal and instrumental variations from the master. The crashing guitar chord that distinguished that master version is already in place, but the bridge, later plugged by a piano played by George Martin, was filled here by a guitar solo. The Beatles recognised that Take 1 was never going to be the best take, hence the laughter as the recording began to dissolve, but it captures the essence of the productive yet fun sessions that were typical of this period.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Apr 16, 1964Studio : EMI Studios, Studio Two, Abbey Road

  6. I Wanna Be Your Man

    Written by Lennon - McCartney

    1:48 • OuttakeL2.2016

    Terry Johnson : Recording engineer Jack Good : Producer

    SessionRecording : Apr 19, 1964Studio : IBC Studios, London, UK

  7. Long Tall Sally

    Written by Richard Penniman / Little Richard, Enotris Johnson, Robert Blackwell

    1:45 • OuttakeL4.2016

    Terry Johnson : Recording engineer Jack Good : Producer

    SessionRecording : Apr 19, 1964Studio : IBC Studios, London, UK

  8. Boys

    Written by Luther Dixon, Wes Farrell

    1:50 • OuttakeL2.2016

    Terry Johnson : Recording engineer Jack Good : Producer

    SessionRecording : Apr 19, 1964Studio : IBC Studios, London, UK

  9. Shout

    Written by O'Kelly Isley, Jr., Rudolph Isley, Ronald Isley

    1:31 • LiveL1.2016

    Paul McCartney : Bass, Vocals Ringo Starr : Drums, Vocals John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar, Vocals Terry Johnson : Recording engineer Jack Good : Producer

    SessionRecording : Apr 19, 1964Studio : IBC Studios, London, UK

  10. I'll Be Back

    Written by Lennon - McCartney

    1:13 • OuttakeD2016 • Take 2. I'll Be Back was recorded from start to finish in a single session. Take 16 was released but the unissued takes Two and Three are presented here. The former illuminates how John conceived his song as a waltz (the Beatles' fondness for waltz arrangement dated back to Cavern Club performances of James Ray's If You Gotta Make A Fool Of Somebody). Take 2 broke down, however, because, to use John's own words, it was "too hard to sing", and it is segued here into Take 3 [...]

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Jun 01, 1964Studio : EMI Studios, Studio Two, Abbey Road

  11. I'll Be Back

    Written by Lennon - McCartney

    1:58 • OuttakeE2016 • Take 3. [...] Take 3 in which the arrangement has been altered from 3/4 to the 4/4 tempo approaching the master version - proof of the speed with which the Beatles could switch their ideas.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Jun 01, 1964Studio : EMI Studios, Studio Two, Abbey Road

  12. You Know What To Do

    Written by George Harrison

    1:59 • DemoA2016

    Paul McCartney : Bass John Lennon : Tambourine George Harrison : Rhythm guitar, Vocals George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Jun 03, 1964Studio : EMI Studios, Studio Two, Abbey Road

  13. No Reply

    Written by Lennon - McCartney

    1:46 • DemoC2016 • [...] this 3 June demo recording of the song certainly has not been heard before. It was announced at the time that John was giving No Reply to Tommy Quickly, another of Brian Epstein's artists, and - as John sings it in a staccato, jaunty style more typical of Quickly's than his own - it's feasible that this demo was recorded with that donation in mind. (All the same, if he recorded it all, quickly never issued his version.) Intriguingly, a drummer is evident, even though no recognised player - neither Ringo nor Jimmy Nicol - was present.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Jun 03, 1964Studio : EMI Studios, Studio Two, Abbey Road

  14. Mr Moonlight

    Written by Roy Lee Johnson

    2:48 • OuttakeC2016 • Takes 1 and 4. The version on Beatles For Sale was a remake, taped at EMI on 18 October, but four unreleased takes were recorded on 14 August, and a combination of One and Four is presented here. The first broke down after John's laudable attempt at the shouted introduction. "Nearly!" commented Paul, a wry smile in his voice, as he encouraged his band mate to have another crack at it. Take 4, only the second complete run-through, lacked the organ track that distinguished the October remake, but George's guitar solo in the bridge proves that experimentation with new and different sounds was now a definite quest.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Aug 14, 1964Studio : EMI Studios, Studio Two, Abbey Road

  15. Leave My Kitten Alone

    Written by Little Willie John, James McDougal, Titus Turner

    2:57 • OuttakeA2016 • Take 5. It was at ten o'clock, when Abbey Road regulations stated that sessions were supposed to end, that the Beatles began Leave My Kitten Alone. This had been a 1959 R&B hit for Little Willie John, covered in 1960 by Johnny Preston, both versions entering the Billboard US Hot 100 in January 1961. The Beatles taped five takes of Leave My Kitten Alone before deciding that the last was the best and so adding overdubs ... but that's where they left it. The recording was never mixed down for release on Beatles For Sale and was destined to remain unissued for more than 30 years - until now.

    Paul McCartney : Bass, Piano Ringo Starr : Drums, Tambourine John Lennon : Vocals George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Aug 14, 1964Studio : EMI Studios, Studio Two, Abbey Road

  16. No Reply

    Written by Lennon - McCartney

    2:29 • OuttakeD2016 • Take 2. Almost four months after the song had been recorded in demo form, the Beatles returned to No Reply and taped a definitive version, Take 8, for Beatles For Sale. Presented here, as balance engineer Norman Smith announced, is Take 2, unreleased, which underlines the more dramatic, bluesy style that John perhaps meant for his song. Laughter ensured that this particular take could not have been used, but it was clearly an important stepping-stone to the master version, John concluding "Well, we just found out what to do, anyway - it's good!"

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Sep 30, 1964Studio : EMI Studios, Studio Two, Abbey Road

  17. Eight Days A Week

    Written by Lennon - McCartney

    1:25 • OuttakeC2016 • Take 1, 2 and 4. Proven by the original session tape, the Beatles used Abbey Road as a creative workshop during the recording of Eight Days A Week. A sequence of unreleased, incomplete outtakes - takes 1, 2 and 4 - have been assembled for this compilation, illustrating the different approaches the Beatles considered for the song's intro.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Oct 06, 1964Studio : EMI Studios, Studio Two, Abbey Road

  18. Eight Days A Week

    Written by Lennon - McCartney

    2:48 • OuttakeD2016 • Take 5, complete, features a vocal harmony ending, whereas the master version (Take 13) started and finished with guitar.

    George Martin : Producer Norman Smith : Recording engineer

    SessionRecording : Oct 06, 1964Studio : EMI Studios, Studio Two, Abbey Road

  19. Medley

    1. Kansas City

      Written by Jerry Leiber, Mike Stoller

      2:44 • OuttakeD2016 • Take 2. Medley with "Hey-Hey-Hey-Hey". With Paul singing lead vocal, the Beatles captured the song in two takes - the master, on Beatles For Sale, was Take 1; Take 2 is issued here for the first time.

      George Martin : Producer Norman Smith : Recording engineer

      SessionRecording : Oct 18, 1964Studio : EMI Studios, Studio Two, Abbey Road

    2. Hey-Hey-Hey-Hey

      Written by Richard Penniman / Little Richard

      2:44 • OuttakeC2016 • Take 2. Medley with "Kansas City". With Paul singing lead vocal, the Beatles captured the song in two takes - the master, on Beatles For Sale, was Take 1; Take 2 is issued here for the first time.

      George Martin : Producer Norman Smith : Recording engineer

      SessionRecording : Oct 18, 1964Studio : EMI Studios, Studio Two, Abbey Road


From Beatles Remastered ‘Anthology’ Albums Debut On All Streaming Services | Billboard, April 4, 2016:

We had to wait until last Christmas to hear the Beatles’ studio albums on streaming services. On Monday morning (Apr. 4) at 12:01 a.m., the Fab Four went all in, offering remastered version of their Anthology albums on all major services.

Anthology, Volumes 1-3, which were originally released in two-disc sets in 1995 and 1996, included rare and previously unreleased recordings, plus studio outtakes, alternate versions and singles “Free as a Bird” and “Real Love.” Upon their original release, the collections went multi-platinum in several countries and “Free as a Bird” (completed by George Harrison, Paul McCartney and Ringo Starr from 1977 demos recorded by John Lennon) was the Beatles’ 34th top 10 hit in the U.S.

All three volumes were remastered at Abbey Road Studios by the same group of engineers who worked on the band’s Grammy-winning 2009 studio album remasters. The tracks can be heard on major international services including Apple Music, Deezer, Google Play, Microsoft Groove, Prime Music, Rhapsody, Slacker Radio, Spotify and Tidal, as well as dozens of local streaming partners around the world.

Paul McCartney writing

Talk more talk, chat more chat

Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

2025 • Please note this site is strictly non-commercial. All pictures, videos & quoted texts remain the property of the respective copyright owner, and no implication of ownership by us is intended or should be inferred. Any copyright owner who wants something removed should contact us and we will do so immediately. Alternatively, we would be delighted to provide credits.