Saturday, October 25, 2025
Concert • By Paul McCartney • Part of the 2nd North America leg of the Got Back Tour
Last updated on November 26, 2025
Location: Alamodome • San Antonio • USA
Previous concert Oct 22, 2025 • USA • Tulsa
Album Oct 24, 2025 • "Ringo (Molten Lava Color LP - 2025)" by Ringo Starr released globally
Concert Oct 25, 2025 • USA • San Antonio
Article Oct 28, 2025 • âMan On The Runâ documentary screened at the New Orleans Film Festival
Concert Oct 29, 2025 • USA • New Orleans
This was the eighth concert of the 2025 US leg of the âGot Backâ tour, and Paul McCartneyâs first concert in San Antonio since October 2014 and his âOut Thereâ Tour.


From San Antonio Current, October 26, 2025:
San Antonio got the rare chance Saturday night to see a living Beatle when Sir Paul McCartney graced the stage of the Alamodome, the venue he christened back in 1993. During a three-hour set with no opener, McCartney drew from every era of his career, from pre-Beatles material through the golden age of the Fab Four to Wings and his solo work. Crowds thronged to the downtown stadium, spilling through its doors and overtaking the seemingly understaffed venue as if Beatlemania had never ended. […]
The Beatles never played the Alamo City. As a solo artist, McCartney has, but not since a 2014 benefit concert for the then-brand-new Tobin Center. Prior to that, he performed the inaugural concert at the Alamodome more than three decades ago.
Throughout the set, McCartney touched on social commentary that hinted at the current dayâs political strife. During the Sgt. Pepperâs track âGetting Better,â a post-apocalyptic landscape flashed onscreen behind him, showing a toppled Statue of Liberty. While McCartney sang the reassuring refrain âitâs getting better all the time,â flowers began to bloom on the scorched wasteland behind him, sending a clear and poignant message of hope for Americaâs future.
During âLet âEm In,â a song that references Martin Luther King Jr., the screen onstage featured Black marching bands and, at one point, someone waving a Pride flag. âLady Madonna,â a jangle-pop classic written primarily by McCartney, featured activist Greta Thunberg onscreen.
McCartney also told the story of when the Beatles played Jacksonville, Florida, in 1964 and the promoter informed them the audience would be segregated. âWell, thatâs just stupid,â McCartney recalls the band saying, adding that the group refused to play under such conditions. It became the first major integrated concert in the Southeast. […]
Love was in the air, and it wasnât just the ballads. At one point, a newly wed couple held a sign near the front that said âMarry Us Paul!â âBut Iâm already married,â the Beatle quipped. A few songs later, the couple exchanged rings with McCartneyâs blessing on stage in front of the crowd of close to 60,000 people. […]
Slightly detracting from the evening was the onslaught of AI generative art on the screen behind him, depicting the Beatles artificially brought back to life rather than drawing from a deep well of unadulterated archival footage, which would have better suited the raw authenticity of the lyrics. AI art even included bizarre Salvador DalĂ-esque camels with the faces of the Beatles, and threatened to pull us out of our journey back in time. […]
From San Antonio Current, October 26, 2025


From Paul McCartney | News | Penned on the Run: âGOT BACKâ Tour Diary 2025 Part 3:
Itâs humbling and exciting to bear witness to history coming full circle.
Thatâs what happened on Saturday, October 25 when Paul McCartney returned to the Alamodome for the first time since opening the massive stadium in 1993âand marking 11 years since he last stepped onto a San Antonio stage for a historic fundraiser at the Tobin Center for the Performing Arts.
Got Backâs return to the Alamodome meant that considerably more than the just under 2000 that fit into the Tobin Center would be experiencing some Macca magic on that enchanted evening â quite literally, Paulâs show fell on the same weekend as San Antonioâs Muertos Fest, a vibrant and bustling celebration of the Day of the Dead drawing huge crowds with its elaborately decorated floats, parades, altars, costumes, dance, food and more.
Needless to say, there were multiple traffic/travel advisories in effect throughout downtown San Antonio that weekend.
As the Alamodome filled with tens of thousands of Paulâs fans, there was a noticeable air of celebration in effect. No one was keeping count, but it seemed there were more attendees dressed for the occasion than the usual Lonely Hearts Club Band members decked out in their shiniest Sgt. Pepper regalia, and in a more ornate and diverse assortment of costumes than typically spotted.
Paulâs return to the Alamodome was nothing if not a family affair. Over the course of the evening, he dedicated âMy Valentineâ to wife Nancy who was in attendance, later noting that daughter Mary â the baby in Paulâs jacket in the visuals that accompany âMaybe Iâm Amazedâ â was in the crowd, along with two of Paulâs grandsons.
âImagine that, watching your granddad rockinâ,â Paul mused.
Speaking of family, Got Back at the Alamodome bore witness to the beginning of one: A young couple wielding a âMARRY US PAULâ sign caught Paulâs eye and were invited onstage where their wish would be granted â sort of. The young couple, Brenda and Gera, were actually married that morning (their wedding song was âCalico Skiesâ). It was the realization of a mutual promise that the next time they had the chance to see Paul play, they would commemorate the show by getting married. They shared their story with Paul, who gave their union his personal blessing, making their wedding day that much more special and memorable. “We got our lives made by meeting Paul and getting our marriage blessed by him,â Brenda said later. “It was an unforgettable experience that we will treasure our whole lives.”
In truth, approximately 50,000 people shared an unforgettable experience to treasure for the rest of their lives as well that night, as Paul powered through nearly three hours and more than 30 classics spanning every era of his singular songbook. With a crowd this huge and effusive, it was virtually impossible to discern which numbers drew the most wall-shaking response â Beatles bangers âGet Back,â âGot to Get You into My Life,â âDrive My Car,â Wings favorites âJet,â âBand on the Run,â âLive and Let Die,â or solo showstoppers âDance Tonight,â âHere Todayâ⌠the audience response was akin in volume to a sustained near-three-hour Beatles scream.
Not long after the evening had wound down with a sublime triptych of âGolden Slumbers,â âCarry That Weightâ and âThe End,” the AUSTIN CHRONICLE summed up succinctly that Paulâs Alamodome performance âdrove home the power of McCartneyâs music to make his shows feel at once personal and unifying. Theyâre reflections of a man whose whole career has been geared toward changing lives not by indulging in performative political grandstanding, but by fostering love. Even after nearly 70 years of performing, heâs positively bursting with it and remains steadfast in his mission to highlight humanityâs universal capacity to harness and share it for good.”
Steve Martin â Paulâs US publicist â From Paul McCartney | News | Penned on the Run: âGOT BACKâ Tour Diary 2025 Part 3


This was the 2nd concert played at Alamodome.
A total of 2 concerts have been played there • 1993 • May 29 • 2025 • Oct 25
Instrumental Jam
Written by Carl Perkins
Written by Paul McCartney
Written by Paul McCartney, Ryan Tedder
Written by Paul McCartney
Written by Paul McCartney
Written by Paul McCartney, Linda Eastman / McCartney
Written by Paul McCartney
Written by Paul McCartney
See soundcheck statistics for “Got Back Tour”
Written by Paul McCartney
Written by Paul McCartney, Linda Eastman / McCartney
Written by Paul McCartney
Medley
Written by Jimi Hendrix
Written by Paul McCartney, Linda Eastman / McCartney
Written by Paul McCartney
Written by Paul McCartney
Written by Paul McCartney
Written by Paul McCartney
Written by John Lennon
Written by Paul McCartney, Linda Eastman / McCartney
Written by George Harrison
Encore
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Aidan Fertitta Valdez • Dec 24, 2025 • 4 months ago
Can't comment on the actual article but the San Antonio Current article is incorrect about something, there was no AI imagery used in the show. The "camels with the faces of the Beatles" is animation from the video game The Beatles: Rock Band.
Anyways, I was there, great show! My dream concert since I was a kid and was one of the best experiences of my life.
The PaulMcCartney Project • Dec 26, 2025 • 4 months ago
Thanks Aidan !